Based on the original work by Shuji Hojo, Itohan Monogatari depicts the fate of a clumsy and kind-hearted woman in the Taisho era.

Tomu Uchida's Gyakushu Gokumon Toride is a masterpiece which treats class struggle in the end of Samurai era(it's a fiction). The story is based on the legend of William Tell, changed at the end of age of Samurai.

Film adaption by Kenji Misumi

In early summer in Edo, Sanshirō, known for his beautiful singing, is a devoted son living in a tenement with his blind mother Okura. He works as a delivery boy for the caterer "Yaoyorozu." His brother, Chōjirō, who disliked being a plasterer, ran away from home and became a subordinate of the yakuza Yamashita no Gonsuke. On a delivery, Sanshirō catches a vagrant child, Erippē, stealing a flower hairpin from Ochiyo, the daughter of the wealthy merchant Narumiyaya Bunzaimon. Impressed by Sanshirō's character, Bunzaimon considers him as a potential son-in-law for Ochiyo, who admires Sanshirō.

Early film by Kenji Misumi.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

In Kyoto, a samurai named Boredom Otoko, Sosuke Saotome, appears and helps a woman being chased by a spy named Genshichi. Unfortunately, the woman is shot and killed. Later, Genshichi explains that the woman was a member of a band of thieves, and because she was let go once, the police officer, Genjuro Mazaki, was demoted to a desk job. Consumed by guilt, Boredom Otoko...

A mysterious black hooded man intervenes when an anti-government group who plots to steal the precious blue diamond called “Maguna no Hitomi.”

Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

A woman loses her son through an evil conspiracy and commits suicide. Shortly afterwards a ghost cat begins haunting the conspirators. This is Takako Irie's first bakeneko (ghost cat) movie; it started a Daiei cycle which was very popular at the time in Japan.

1953 Hiroshi Inagaki movie.

Gotō Matabei is the most able and fierce samurai of the Kuroda clan. However, he gradually dislikes the ruthless personality of Kuroda Nagamasa and leaves the clan. Seven years later, he joins Toyotomi Hideyori's army. Filmed in 1945 and released in 1952.

Jewel thieves become interested in an invisibility formula invented by Professor Nakazato and want to use his invention to acquire a diamond necklace called the "Tears of Amour."

Shogi, a Japanese form of chess, is a game that requires skill and determination. When poor sandal-maker Sakata decides to pursue his dream of becoming the Shogi Grand Master Champion, everything is at stake – including his family. What will it cost for Sakata to follow his passion?

A small-town boy with a learning disability attempts to fit in with his classmates.

A 1946 Japanese film directed by Keigo Kimura.

Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy's parents.

Ito Daisuke's wartime retelling of the Miyamoto Musashi story.

It is a historical drama that follows Katsu Kaishu's efforts to surrender Edo Castle bloodlessly in the first year of the Meiji period.

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.

Prewar jidaigeki starring Denjiro Okochi

Directed by Mansaku Itami.