Harrie Vermeulen lives with his successful yet naive son. The arrogant secretary of his son wants him gone and tries to match him with an older lady. Harrie doesn't take this lying down and has a better woman in mind for his son. He devises a plan with his friend to make the secretary make mistakes and find a suitable daughter-in-law at the same time. However, this doesn't go without obstacles, especially because the son also has his say!

In "Harrie Takes Off," police officers Harrie Vermeulen and his nephew Barrie Vermeulen are tasked with busting an illegal brothel. But it's not that simple. The villains are elusive. The infamous Madame Claude and her assistant Bibs always manage to outsmart the two not-so-bright officers. Despite the chief commissioner's desperate decision to close the case, Harrie and Barrie don't give up easily. Without informing anyone, they secretly set out to catch the ladies red-handed. Countless disguises, schemes, and plans are put into action. But whether they're posing as plumbers, pole dancers, or Harrie Krishna collectors, providing evidence proves to be difficult. Especially after the two accidentally ingest a whole jar of Viagra. However, the commissioner reveals a surprising side of himself. And it turns out Bibs isn't exactly who she claims to be either.

Harrie Vermeulen is back in "HERRIE IN DE KEUKEN"! In this new comedy by Jon van Eerd, hats, mustaches, and wigs fly across the stage. Six actors take on over 35 roles, creating an absurd and hilarious performance! As the owner of a struggling snack bar, Harrie and his partner try to sell their meager fries, meatballs, and spring rolls. With few customers, it seems the end is near. But then the clever owner of the adjacent tattoo shop offers a solution. Despite Harrie's doubts, he agrees. When the food inspection service pays a visit, Harrie fears being exposed. But then he makes a shocking discovery! With his comical and impulsive character, Harrie takes one foolish step after another. Each time, he plunges deeper into hilarious predicaments. An evening of "HERRIE IN DE KEUKEN" is a mini-vacation where all worries are forgotten!

On the seventh day, there was rest. Until... Harrie walked into paradise! And indeed, Harrie Vermeulen is back again! Once more with a wildly hilarious and uniquely funny comedy. As always, Harrie, with his reckless and frenzied way of doing things, keeps making the wrong decisions. Amidst fluttering butterflies, gracefully colored flowers, and babbling waterfalls, Harrie once again creates a colossal chaos. The fig leaves are too small, and that doesn't bode well for Harrie's ludicrous appearance in Paradise!

Immediately after The Mole you can watch MolTalk, live from VondelCS in Amsterdam. In these commentary's, Marlijn Weerdenburg and Splinter Chabot discuss hints, tasks and theory's with former candidates and other guests.

Harrie Vermeulen is back! Harrie moans and groans when he has to babysit. Trapped amidst teddy bears and little clothes, diapers and wipes, baby food and bibs, he once again turns it into a huge mess. And what if the babies disappear? These comedy evenings with Jon van Eerd, now so familiar, are surpassed by this comedy. He is the undisputed king of humor. Riotously funny, foolish, and heartwarming. Just when you think 'it can't get any crazier,' Harrie swoops in, grabs you by your laughter-lungs, and whisks you away on a carnival of priceless absurdity and uproarious situations. Expect to be short of breath because it's going to be an unforgettable night of laughter!

In "Harrie Babba," we see Harrie Vermeulen once again in a contemporary absurd comedy of Jon van Eerd's New Genre. In "Harrie Babba," Harrie Vermeulen finds himself in quite a predicament as he emerges from the lamp as a genie. Harrie is tossed back and forth between hilarious misunderstandings and uproarious complications. With his riotous antics, unique timing, and unrivaled humor, Jon van Eerd, as always, manages to blow the roof off the theater.

Following the love lives of different types of men in Amsterdam.

When Harrie Vermeulen (played by Jon van Eerd) is persuaded to impersonate the prospective husband of a young girl, he is thrown into a whirlwind of hilariously priceless complications, where he has to play not just one but four roles. Harrie becomes the innkeeper, the lover, the brother, and even the sister! Together with his servant Jacob Closet, he gets entangled in an impossible web of lies and misunderstandings. In "Harrie and Two Masters," Jon van Eerd, in his own unique way, drags the audience into a hilarious whirlwind of roaring intrigues and comical misunderstandings. And all of this immersed in the setting of a medieval inn where the pot is always hanging over the fire and the beer flows abundantly.

Harrie Vermeulen (Jon van Eerd) finds himself in a roaring and hilarious whirlwind of chocolate bonbons, barely managing to stay upright amidst the cocoa and swirling powdered sugar. The factory where Harrie Vermeulen works is in a sorry state. But there's good news. If Harrie manages to produce 7,000 boxes of bonbons by six o'clock that evening, a Russian delegation is willing to save the business. Harrie gives it his all, squeezing out one bonbon after another with squeaking and creaking gears. But will he succeed? The machines are heavily outdated and often stop more than they run. In a hysterical whirlpool of confectionery chaos, the most impossible situations arise one after another, ensuring the uproarious laughter that has become so familiar in Jon van Eerd's theaters. You'll never be able to eat a bonbon without a smile again.

Harrie Vermeulen (Jon van Eerd) finds himself in hot water once again in the brand-new comedy "Kantje Boord." As an honest accountant of a large company, he discovers irregularities in the accounting. He immediately decides to inform his boss, who happens to be on his yacht at that moment. Little did he know that with the first steps onto the gangway, he would be swept into a ludicrous rollercoaster of intrigues and complications. Unwillingly, he is forced to twist and turn to keep the yacht and the guests afloat. Harrie must navigate between a vain sailor, a flirtatious sister-in-law, and a snappy hostess with murderous plans. When his boss also tries to saddle him with shady dealings and dump him overboard, things really hit the fan.

Jon van Eerd is the driving force behind the renewed success of Dutch farce. Following 'One Zip Too Far,' Van Eerd returns this season with his own piece 'Double Trouble,' in which he plays a cunning plastic surgeon in a famous beauty clinic. He's not actually a doctor and makes his money easily with dubious treatments. But Van Eerd also portrays his bumbling twin brother who is forced to take the blame when the treatments don't go as planned. Lucie de Lange joins the chaos as the director of the institute, getting swept up in the hilarious tangle of mistakes and identity swaps. Once again, laughter proves to be the best medicine!

In 'One Zip Too Far', Jon van Eerd portrays a campsite owner trying to keep his head above water in a world full of zippers, tow bars, and tent pegs. As if demanding guests and a snooty neighbor aren't bad enough, the campsite is also threatened with closure. In an attempt to keep the tent standing, our main character sinks deeper and deeper into a hilarious whirlpool of problems, fabrications, and misunderstandings. In this farce, Jon van Eerd is once again supported by a host of well-known personalities such as Pamela Tevens, known from 'Onderweg naar Morgen', and Lucie de Lange, who considered the farce the best reason to return to Dutch theaters.

The Aunt of Charlie has managed to captivate a large audience worldwide. In the Dutch adaptation of Brondon Thomas's play, the household butler (Jon van Eerd) is persuaded to impersonate the aunt. Whether the butler likes it or not, he must navigate life as a woman. This sets off a series of hilarious events. For Jon van Eerd, it's another golden opportunity to make you burst into laughter. The Aunt of Charlie is a classic in the farce genre and according to many, the best piece ever written by Brandon Thomas (1857-1914).

Sitcom about two grandfathers taking care of their grandchildren, so their children can focus on their careers.