Romina has been working as a promoter for more than 20 years and, about to turn 40, faces few and poorly paid job offers. Her last days at work take her to bars and events. He decides to leave it, but in a Buenos Aires with crisis and unemployment, he cannot re-enter the labor market.

Antonio wanders the streets of Buenos Aires in search of money and sex. The magnetism he exerts on the people who cross his path allows him to steal and cheat them. Only his mother, with whom he has a confictual relationship, will get over his feeling of impunity and will push him to leave for a trip to the south of Argentina.

A woman who will die soon tells her three children that she wants to do so with as little intervention as possible. They don't know how much of that desire they will be able to fulfill. Accompanying her in her decision makes them confront the way in which our civilization conceives death. Taking charge of preparing this farewell while their mother is still alive will be a mysterious and revealing way to be together.

Renzo tries to get close to the universe of family and football, which has always seemed alien to him. He wanders between his current life and the one he could have had.

It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?

Ana Livia Plurabelle (30) has different sexual encounters that will make her realize something she hasn't thought about before: the possibility of making money with her body.

In the absence of projects in which to establish herself as an actress, Franca looks for unconventional alternatives to obtain recognition.

Santiago, gay single father, has reached a tipping point in his life. Reeling from a bitter breakup, he is facing the impending departure of his daughter Laila, with whom he shares a close yet emotionally charged relationship. As the fear of being alone threatens to swallow him whole, his behavior becomes increasingly erratic. Over the course of a chaotic summer divided between Argentina and Brazil, Santiago must learn to let go of Laila so each can find their own freedoms.

Silvia, a single mother and a lawyer, is implicated in a corruption scandal. But in addition to trouble at work, she is also facing a more crippling problem: her mother’s cancer has returned. While she is forced to face up to her mother’s inconceivable yet inescapable death, Silvia embarks on a love story, her first in many years.

Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.

Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.

It's Martin's Birthday. A confusing gift will make him wonder how the rest of the people see him.