Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.

As a computer virus based on Pac-Man invades Japan, a group of doctors attack Genm Corp and begin a wave of terror using stolen Proto Gashats. Ghost and Ex-Aid find themselves at the center of the fight in an effort to protect those most important to them. But they aren’t alone, as Heisei Riders from the past join them to stop Dr. Pac-Man!

Makoto who is working in Brazil is back in Japan for a short stay. However, not having a place for the week she stays over at Toru's house. Their lifestyles though are not exactly good matches and soon the tension begins to simmer

Yuko is in love with an old poet who happens to be also a married man. She waits patiently for him and only him, yet she is constantly being lust by others.

Momojiro and Jonathan go to Kochi on a ferry. On the ferry a singer called Yuka dropped her sheet music into the ocean. Momojiro helps her by diving in to collect the sheets for her and ends up falling in love.

Elite college graduates commit perfect financial crimes though loopholes in the law during the 1950s.

Tarao’s services are called upon to solve the mysterious death of bride-to-be, Mariko, who was found dead with an eerie mask of a devil.

Yasuaki Kurata plays a masked ring brawler who is out for revenge against an evil, megalomaniac entrepreneur played by Japan's most reliable bad guy of the '70's, Masashi Ishibashi.

Hiroki Matsukata is a fish market worker and a fanatical Japanese festival rascal. He also falls in love with a stripper while delivering his colleague's love letter to her but forgetting to mention it's from another man.

Shihomi Etsuko plays a race car driver who also lends out her services to the Japanese Secret Service. Although there really isn't much of a "chase" to be seen, Shihomi does pursue a cartel of drug runners and assorted Japanese yakuza types. While the story is pure 70's exploitation and gritty crime drama, the best reason to see it is for the Martial Arts Action of Etsuko Shihomi. The action is over-the-top and at times hilarious (i.e. Shihomi battling the lead criminal atop a moving gondola or Shihomi battling a whip-wielding Catholic Nun).

Natsuko is so good at using that super-strong vagina of hers that she can fuck guys to death. In the end, she’s pitted against a sexual superman and a showdown ensues. There’s also a subplot about a mad scientist type who needs vaginal juices to create a potion designed to turn Japanese girls black.