A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.

1919. Released from the teacher training college, Joachim Hofer takes up his first job as an assistant teacher in an Alsatian village. But only a few students come to class in the pigsty converted to school.

Adaptation of Robert Walser's novel about a young man who enters an oppressive servant school.

Miss Giehse, an elderly teacher in a boarding school, tries with a lot of good will for her student Robert. The boy seems strangely withdrawn and depressed to her. Robert, whose behavior can be traced back to his parental home, which lacks orderly family relationships, disrupts the lessons with his defiant and rebellious behavior. All her attempts to investigate the causes of this behavior, however, only lead to increasingly serious misunderstandings. In almost hysterical exaggeration, provoked by Robert's tormenting behavior, she finally believes that he is trying to poison her and knocks the boy down during a break. The principal of the boarding school inadvertently witnesses this incident and dismisses Miss Giehse after a heated controversy. The teacher does not overcome the shame of the dismissal and the pain of her own actions and dies on the day she has to leave the boarding school on a trip with the school bus.