A collection of six distinct stories drawn from a rich and extensive body of folklore that narrates Iberian mythology. This epic series weaves a tapestry of myths and tales while tackling fantasy, horror, humor, and drama.

At the center of this story is Aurora Guerra, a popular actress who became a star in the teen series "The Chosen Ones" at an early age. Irene and Julio, Aurora's parents, signed her up for a casting several years ago and the matriarch, realizing that the decision was between her and another girl, managed to play the casting director in Aurora's favor. Lúcia has the same dream: to be a successful actress and decides to apply for the casting as well, but she soon realizes Irene's scheme and decides to confront her. After a violent argument between the two, Lúcia ends up having an accident that almost took her life and killed her chance of becoming an actress, due to the physical disabilities she was left with. Twenty years later, Lucia is determined to take revenge. The young woman wants to get back what she believes Aurora has taken from her, far from imagining that she is just a victim of Irene's evil deeds.

A reorganization within a crime syndicate.

Like every summer, little Salomé returns to her family village nestled in the Portuguese mountains for the holidays. As the vacations begin in a carefree atmosphere, her beloved grandmother suddenly dies. While the adults are tearing each other apart over the funeral, Salomé is haunted by the spirit of the one who was considered a witch.

Everybody has always loved Jeanne. These days, she hates herself. Up to her ears in debt, she has to go to Lisbon and sell her mother’s apartment, who passed away one year ago. At the airport, she runs into Jean, a whimsical and somewhat intrusive former high school classmate.

Pê, a man with terminal cancer, wanders through his city, Lisbon. Throughout the day, he is confronted with a reality unaware of his suffering while he prepares his imminent death by writing a farewell letter to his daughter. When emptying her father’s house, the daughter discovers the letter. It is the beginning of a new encounter.

Vargas is an undercover agent whose mission is to capture a group of robbers. The robbery of a jewelry store will be the ideal moment to catch them in the act. After a conversation with Ricardo, one of the group's members, Vargas questions his view of the enemy, making the mission much more difficult.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

After the murder of a local student, a small town judge faces an unexpected dilemma: now her actions can put her family at risk.

He has everything that the destiny wanted and that he has been able to expand: fertile lands as far as the eye can see, cattle, exceptional wines and cigars matured in the long voyages of the boats coming directly from the Caribbean, more precisely from Cuba. He enjoys all this in his rich rural house, with his wife and two children, whom he very much likes, but which sometimes interrupt him to enjoy these pleasures. The disenchantment of the passionate routine always reminds him of the fabled memories of a moment in the past when, unexpectedly, he discovered in a handmaiden the surprising elevation of passion. Until the harlot appears to her at the Estate, untouched by the past fifteen years, purer than before and, even in her eyes, rejuvenated. But married, to a dangerous man.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

Can a turtle, the most pacific animal on earth, start a range of significant events that are going to forever change a couple's life? After dividing all their assets, Arnaldo e Barbara still have one decision to make before they formalize their separation: what to do with the turtle? Amongst hesitation and failed solutions, unintended burglaries, police stations, plastic natures and misunderstandings, a single turtle fate is postponing this couple's separation. Because they know that, when they give the turtle back to its natural habitat, their relationship will be over. Are they ready for that last step?

Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

“Nazaré” is a contemporary love story in a reality that plagues the country every summer. It is a narrative about the struggle of those who are defeated by flames, rebirth and hope.

A romance comedy about a nonconformist couple of young parents who, looking for a solution to their fragile financial situation, is involved in an innocent and crazy scheme.

Romantic Comedy directed by Hugo Diogo, based on a novel by Pedro Paixão.

Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

The world seen through Ana Lara's eyes. Between illness, manipulation and love, Ana Lara lives in constant confrontation with her own escape.

This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.

Two years after consorting with the wrong people cost him his job as public prosecutor, Eduardo Silva is a measly defense attorney, who works from his hotel room. Loosing a bit from her fellow-angler uncle, he gives a shot as unpaid apprentice to freshly-graduated gypsy Marcia Amaya, whom nobody would consider hiring so far, but is soon offered crossing to the office of Silva's successor as prosecutor. Their first client is common-as-muck Joana Soares, accused of murdering her beached-up husband after a public fight, without an alibi, claiming a blackout. Eduardo is countered while working out, with help from Marcia's and Joana's families, how the affair actually relates to illegal trade in medicine, with twists including the involvement of a crime lord.

The story of the forbidden romance between Paula, a nun of the Convent of Odivelas, and King D. João V. A love without limits, which takes place in the eighteenth century, and made the King ignore common sense and take the nun as a lover, a confidant, and a counselor. Based on the historical novel by Patrícia Muller.

Lazarus de Jesus is the adopted son of a wealthy lady from Lisbon, whom he calls Grandmother. It is she who introduces him to Godfather, a great businessman who takes him as his protégé, and Angelina, the woman Grandma wants him to marry. But Lazarus has other hidden interests, the most important of which is an obsessive fixation on female armpits. When he sees the violinist Maria Pia playing, Lazarus immediately falls in love and starts to live for her, which will precipitate an absolutely unpredictable ending.

An adaptation of the 1907 political novel of the same title by Joseph Conrad set in Portugal during the so-called "Hot Summer" of 1975, re-contextualizing the anarchist prose within the Carnation Revolution.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

A dehydrated man trespasses an estate and ends up by losing his freedom.

Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.

Pedro and Laura are a modern couple and, for all friends, exemplary. Pedro is a young and successful manager who runs a parent company and has succeeded in a more successful case. Your wife, Laura, is also an architect. He has fun friends with whom he usually dines, goes out at night and goes on vacation together. Married five years ago, it's time to have a child. Modern and practical as they are, they have everything very well planned: they already know to whom daycare or child, in which private school the primary studies are shown, until the course is used when they grow up. In addition, there are some who have a child who is not prevented from living as always independent, but they do not just want to become "the parents of ...".

Five characters intersect at a sidewalk beginning a journey through their lives.

Paris, March 1939. While the march of the Nazi troops makes itself heard throughout Europe, exiled artists and intellectuals from all over the world still converge in the French capital. Portuguese composer Fernando Lopes-Graça is among them, sharing this cosmopolitan environment, on the verge of rupture. A happy coincidence brings him into the presence of the man he considers his master, the intransigent Hungarian composer Béla Bartók. For Lopes-Graça, the occasion presents itself as a unique opportunity to show Bartók his scores...

Ana Catarina returns from Brazil with her father and her nanny to marry a man she doesn't know and doesn't like. A terrible coincidence happens when, on the same day, the young woman becomes a widow and an orphan, a fact that leaves her heir to an incalculable fortune and coveted by all the aristocrats in the region.

"Filme da Treta" is inspired in a previous work called "Conversa da Treta", which can be translated as "Blather" or "Foolish Talk". In fact it all begun with a radio show (with that name) where two friends, "Toni" and "Zezé", talk about their lives and their neighbourhood (located somewhere in a typical district of Lisbon!). Because of the colloquial and comic language it used to be funny. Then it passed to the stage (kind of a dialog play) and later to a TV-show. As you can see it was a success here in Portugal and the audiences applauded it… Now, the film! "Filme da Treta" is, then, just an adaptation to the movies of this succeeded show, but it was, at least in my point of view, a regression! To be honest it was a disappointment, as I expected a lot more from it. I used to appreciate "Conversa da Treta", but now with the movie it lost all the fun!

An authentic and convincing story of a small boy, son of a disrupted young couple, with all the typical hostile reactions about his mother's new love relationship and a behavior showing a mixture of love and resentment towards her, ending in a curious and somewhat moving friendship between the child and a Russian migrant worker who in a certain way replaces his estranged father.

Three girls from the Lisbon suburbs, Bruna, Marta and Sara, are having a bit of fun. They've discovered that people in general are prepared to give things to young, attractive and good-natured people, and they exploit this shamelessly. Francisco, a neighbour of theirs, has given up on life. He's abandoned his wife and child to take refuge far from those who might hurt him ; in effect dying. He's ashamed of this, and never ever looks at anyone. This has given him, amongst the women of the neighbourhood, the reputation of being able to tell, just by looking at a couple, how long they'll stay together. The sudden news of the death of his much loved wife, upsets Francisco's routine.

In mid-September 1992, journalist Guida Fontes have to go to Luanda to cover the elections in Angola. In the meantime, she had committed herself to discovering and interviewing the poet Júlio Vera. In 1988, he wrote a series of poems in which he mysteriously anticipated the fall of the USSR. Guida has only 12 days to complete the mission.

Two siblings face their problems and undergo a profound inner transformation at a time when they both rediscover themselves. Lidia struggles to cope with her newborn baby: she can’t handle the expectations, doesn’t recognize her body, and distances herself from home and her boyfriend. Her brother Lauro works in a funeral agency. Divorced with a son, he grapples with accepting his bisexuality. Though the siblings rarely saw each other, their shared challenges bring them closer on a journey of rediscovery and profound inner transformation. The light at the end of the tunnel isn’t an illusion; the tunnel is.