Filmed over two years, this new documentary takes an exclusive inside look at Tony-winning director Marianne Elliott’s creative process of bringing a reimagined gender-swapped production of Stephen Sondheim and George Furth’s musical Company to Broadway during the COVID-19 pandemic. Featuring rehearsal and performance footage, plus new interviews with Elliott, Sondheim, Katrina Lenk, Patti LuPone and members of the original 1970 cast, the broadcast tells the story of the show’s Broadway debut in a city on the verge of bankruptcy to its reimagination 50 years later as both Broadway and New York City emerge from one of the greatest crises in contemporary history.

On the bustling streets of 1970s San Francisco, neon lights pierce through the fog-drenched skies, disco music explodes from crowded nightclubs, and a wide- eyed Midwestern girl finds a new home—and creates a new kind of family—with the characters at 28 Barbary Lane. Over three decades after Armistead Maupin mesmerized millions with his daily column in the city's newspapers, detailing the lives and (multiple) loves of Mary Ann, Mouse, Mona, Brian, and their beloved but mysterious landlady Mrs. Madrigal, his iconic San Francisco saga came to life as a momentous new musical at A.C.T.’s Geary Theater.

This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.

Major Dad is an American sitcom created by Richard C. Okie and John G. Stephens, developed by Earl Pomerantz, that originally ran from 1989 to 1993 on CBS, starring Gerald McRaney as Major John D. MacGillis and Shanna Reed as his wife Polly. The cast also includes Beverly Archer, Matt Mulhern, Jon Cypher, Marisa Ryan, Nicole Dubuc and Chelsea Hertford.

A Washington waitress saves the Emir of Ohtar's life, launching her diplomatic career and a scandal.

Dramatization of the sensational Texas court case of the late '60s involving a noted Houston plastic surgeon accused of doing away with his socially prominent first wife in order to marry someone else.

Showtime presented this pro-shot musical revue of the songs & lyrics of legendary film and Broadway composer Frank Loesser.

The Big Show is an American comedy-variety-musical television series produced and broadcast by NBC for several months in 1980. The series aimed to revitalize the moribund variety television genre, which had been in a downward spiral since the cancellations of The Ed Sullivan Show and The Carol Burnett Show a few years earlier. The Big Show took its title seriously, using a huge stage set and filling a 90-minute time-slot, with at least one two-hour installment broadcast. Although the first broadcast received high ratings, poor reviews and low ratings of succeeding episodes resulted in the program being cancelled after only a few months. The series nonetheless was nominated for six Emmy Awards, winning for Outstanding Costume Design. Regular performers included Joe Baker, Graham Chapman, Mimi Kennedy, Shabba-Doo and Pamela Myers. Guest hosts included Steve Allen, Nell Carter, David Copperfield, Geoffrey Holder, Gary Coleman, and Sid Caesar. Skaters who performed in the show included Peggy Fleming, Dorothy Hamill, John Curry, and Toller Cranston.

Lighthearted look at the adventures of two Highway Patrol officers in Los Angeles. The main characters are Jon Baker and Frank Poncherello, two motorcycle officers always on the street to save lives.

Alice is an American sitcom television series that ran from August 31, 1976 to March 19, 1985 on CBS. The series is based on the 1974 film Alice Doesn't Live Here Anymore. The show stars Linda Lavin in the title role, a widow who moves with her young son to start her life over again, and finds a job working at a roadside diner on the outskirts of Phoenix, Arizona. Most of the episodes revolve around events at Mel's Diner.

In 1950s Milwaukee the Cunningham family must contend with Fonzie, a motorcycle riding Casanova.

A short documentary concerning the preparations and rehearsals for the March 11, 1973 benefit tribute to Stephen Sondheim. Includes a photo-montage of the concert finale in which Sondheim sings Anyone Can Whistle.

In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which, with the pressures of posterity and the coolly exacting Sondheim’s perfectionism hanging over them, all involved pushed themselves to the limit.