Two zoologists seeking the extinct Anatolian panther search for its traces in the deep forests of Anatolia. Veysel believes the almost mythical panther embodies something beyond an animal, an element that Anatolian people have lost and are still looking for. For Emre, only the idea of photographing the absent Anatolian panther excites him. They manage to capture an obscure image of the large cat, but they can’t prove it is the panther’s. The two friend are surprised and disturbed when they see stuffed panthers at the offices of some bureaucrats. A secret Veysel reveals to Emre in Hacıbektaş changes both of them. Will searching for something non-existent destroy them, too?

Amid the onset of andropause, a 50-something family man becomes obsessed with change and decides to pursue happiness. Then he bungles it up completely.

Zuhal, a successful lawyer living alone in the center of Istanbul, begins to hear the sound of a cat in her house one day. She sets out on a quest in her apartment to find this cat, which no one has heard of but herself.

At Turkey’s oldest zoo, a lonely manager and a neglected female officer form an unlikely bond: as they hide the death of the zoo’s oldest inhabitant, an Anatolian leopard, in order to stop the privatization process and fake its escape, they set in motion an absurd charade that spins out of control. In Turkey’s grey and quiet capital, the ghost of the leopard persists.

The paths of city businesswoman Haziran and Poyraz, a handsome and helpful young man, intersect on Swallow Island, and love arises from the disagreements of these two opposite characters.

Haluk, an incompetent factory owner, competes with his wife and skillful operations manager Güler. As the power crisis between the husband and wife escalates, someone unexpected will suffer from it in a most tragic way.

Hicran, his brother Vildan and their mother Dudu lead completely different lives in the same house. While these three women who have different problems such as beauty, marriage, money but similar desires fight on different fronts, the marriage proposal to Dudu upset the balances at home. While everyone wants to be the hero of their own story, whatever is unspoken, unforgettable and painful is revealed with the possibility of Dudu leaving home. We watch with hope the possibility of an orderly coming out of this mess.

A murderer, organ mafia, and a cat and mouse game surrounded by refugees from their lives on the road to freedom. Will the good and the bad lose in the Longest Night seeking answers to the question of law or justice? In the director's chair, the cast of "Longest Night", in which Orhan Kılıç sits, includes names such as Eda Erol, Cem Kılıç, Murat Aydın, Gamze Dar, Mustafa Yılmaz, Ece Müderrisoğlu, Ayça Denker, and Umut Özkan.

A coming storm after dog days dawns during a road trip to an island for a funeral. The deceased is buried in haste and a man makes a detour through Aegean Turkey. The funeral is eclipsed by a last wish.

Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.

Three old acquaintances debate different interpretations of the Koran, Christian sects, their lives, and life after death in a tiny, cramped neighborhood barber shop.

Leaving behind a ruined career and a bitter divorce, Selim returns to his hometown Izmir. Unwilling to make plans for the future, he wanders around revisiting his past: family, schoolmates, an ex-lover. He runs into Cihan, a friend from the military service, an idler with a charming energy. As people start leaving Izmir due to a terrible smell caused by a mysterious maritime accident, Selim finds himself gradually drawn to a new world where he will go back embracing the possibilities of life.

The residents of a small town set between a stormy sea and an ominous forest are becoming insane. They are convinced that successive signs appearing in the town are indications of doomsday.

Two resentful, singer brothers Hakan and Ozan who can't get along well. Meet again in their father's funeral. Even though they want to get back to their daily lives after the funeral, their father's will won't allow it. They will take a journey with their dead father's old car in order to carry out his bequest which is to sing at a wedding in Urla.

Alim works as a tailor's apprentice to Yakup for the past 15 years. Obsessive and fearful of death, he is stuck in the routine of a mundane life. He opens the store in the morning and either takes a nap or watches TV until his boss arrives. In the evenings, he goes home carpooling with Kemal from the coffeehouse. When he watches a new item on TV about the perils of cars running on LPG, he starts to check out each taxi he rides on to see whether it runs on autogas or not, each time, he marks a score. To avoid using a vehicle, he dicedes to move to a newapartment closer to work. This change he makes will be a vital turning point for Alim.

PuCCa is a broadcaster. When she applies for a new job, she meets a man.

Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.

How much space does Zeynep take up in this vast universe? This is a city brimming with the struggling and the unemployed; aren’t their lives a bit like the infinite, tiny particles flying through the air? Zeynep is already trying hard to make ends meet when she gets fired from her job at a textile mill. The Particle follows her as she searches for a job. We follow her in and out of workspaces. Zeynep’s world – the streets and homes in Tarlabaşı – are dark and suffocating.

Kosmos is a thief and a miracle-worker. He appears one morning in a tiny, snowbound border village where he is welcomed with open arms – on account of arriving just in time to resuscitate a small boy who would otherwise have drowned.

In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.

In an apartment building where neighbors, friends, and family are living in close quarters, three male protagonists encounter three phases of manhood in Turkish society. Directors Reha Erdem's light touch and slyly amusing style do not miss the opportunity to illuminate some serious points in a strictly patriarchal society.

A left-wing journalist whose wife died while giving birth to his son during a military coup returns to his family's farm. Estranged from his father for turning his back on the family and wasting his life with political activism instead, he tries to reconnect with him so that his son will have a place to live as his health is deteriorating due to the extensive torture he had to endure.