A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.

An ensemble of mourners travel in their cars to the funeral of an Irishman who took his life in a car.

A group of girls are terrorized by violent vagrants before succumbing to a horrific supernatural evil.