Goopy Bagha Phire Elo (Bengali: গুপী বাঘা ফিরে এলো) (1992) is the third sequel of Goopy Gyne Bagha Byne series. It was directed by Sandip Ray and written by his father Satyajit Ray. This film was released eleven years after its predecessor Hirak Rajar Deshe.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Sasanka (Subrata Nandy) grows depressed as his house and his career as a theater actor both crumble around him. When his cold-hearted, widowed sister-in-law Saraju (Aloknanda Dutt) arrives with her adorable young son Kanu (Aniket Sengupta), Sasanka's mood eventually changes. Kanu and Sasanka become fast friends as the youngster benefits from his uncle's wisdom and acting ability.

When a Dalit wins the elections for mayor in his small village in northeastern India, deadly rioting forces an impoverished couple to escape to Calcutta where they can hopefully find work. Instead, they end up sleeping on the streets until they have a chance at earning a little income -- a man has asked them to take his herd of pigs across a fast-moving river. The current is dangerous, and worse, the wife is pregnant and this would not be an easy task even if she were not. Undaunted and desperate, the couple accept the job and enter the river to face their destiny.

Mystery-drama about a botched kidnapping of a Calcutta schoolboy and his relationships and adventures.

When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.

Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.

Set in the holy city of Benares, this is the second film about the detective Feluda, in which he goes for a holiday along with his cousin, Topshe and his friend, Lalmohan Ganguly. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to investigate.

It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.

A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.

Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?

Arindam, a matinee idol, is going by train to collect an acting award. On the train, he is confronted by Aditi, a journalist who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art. But over time a sexual attraction develops, with heartbreaking results. Preserved by the Academy Film Archive in partnership with The Film Foundation and Merchant and Ivory Foundation in 1996.