The life of Donald M. Morgan, one of Hollywood’s most prolific artists, is a unique, rags-to-riches story about a man who’s had a life-changing effect on the people around him, both personally and professionally. By sharing stories of his lengthy career, working with filmmakers like Robert Zemeckis, John Carpenter and Joseph Sargent, Morgan recounts pivotal moments in the art of filmmaking for over four decades, through interviews with fellow greats Owen Roizman (The Exorcist) and Jack N. Green (Unforgiven). But at the heart of the film is an emotional journey along the road to recovery in an industry that is ripe with dysfunction and addiction. Inspiring, heartbreaking, and funny, “Cinematographer” shares the story of one of the film industry's finest human beings.

Friedkin and Roizman talk about the film's Georgetown locales, and side-by-side comparisons between the 1973 locations and their modern 2010 counterparts are examined.

2010 documentary on William Friedkin's 1973 horror classic, featuring the never before seen on set footage of cinematographer Owen Roizman.

The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."

An engrossing feature-length documentary about the making of Sidney Lumet's classic film "Network."

The exciting story of the making of William Friedkin's The French Connection (1971), hosted by former NYPD detective Sony Grosso, who inspired the character of Buddy 'Cloudy' Russo, played in the film by actor Roy Scheider.

A documentary on the production of The French Connection (1971).

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

An American professional gambler named Jack Weil decides to visit Havana, Cuba to gamble. On the boat to Havana, he meets Roberta Duran, the wife of a revolutionary, Arturo. Shortly after their arrival, Arturo is taken away by the secret police, and Roberta is captured and tortured. Jack frees her, but she continues to support the revolution.