Decades after his play first put gay life center stage, Mart Crowley joins the cast and crew of the 2020 film to reflect on the story's enduring legacy.

Explore the personal and professional triumphs and challenges of actor Natalie Wood, which have often been overshadowed by her premature death.

Before Prop 8, Milk or Will & Grace, before the AIDS epidemic, gay pride parades or the Stonewall uprising, "The Boys in the Band" changed everything. "Making the Boys" explores the drama, struggle and enduring legacy of the first-ever gay play and subsequent Hollywood movie to successfully reach a mainstream audience. Featuring anecdotes from the surviving cast and filmmakers, as well as perspectives by legendary figures from stage and screen, it traces the behind-the-scenes drama and lasting legacy of this cultural milestone.

A documentary about Kay Thompson.

Vanity Fair Special Correspondent Dominick Dunne has become known the world over for his vociferous championing of the rights of the victim in high-profile murder cases. His powerful commentaries have made compelling reading in Vanity Fair for a quarter of a century. Now, aged 82, Dunne is covering his last murder trial for Vanity Fair -- the trial of music producer Phil Spector -- and reflects upon his past as a decorated WWII Veteran, his rise and spectacular collapse as a Hollywood producer, and his rebirth as the writer we know today. Dunne's mind offers a fascinating insight into the American psyche and its obsession with fame.

A collection of interviews recorded for the making of the 1995 documentary "The Celluloid Closet," on the subject of LGBT representation in film history.

This documentary highlights the historical contexts that gay, lesbian, bisexual and transgender individuals have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.

The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality, the latter prompted by his romantic involvement with Romola de Pulszky, a society girl who joins impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her, after which his gradual decline from artistic moodiness to complete lunacy begins.