Ashleigh Sterling

Ashleigh Sterling

Movies for Ashleigh Sterling...

Honey, We Shrunk Ourselves
Title: Honey, We Shrunk Ourselves
Character: Corky
Released: March 18, 1997
Type: Movie
The joke's on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they've completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.
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Title: Getting By
Character: Julie Hale
Released: March 5, 1993
Type: TV
Getting By is an American sitcom that aired on ABC from March 5, 1993 until May 21, 1993, and on NBC from September 21, 1993 until June 18, 1994. The series was created by William Bickley and Michael Warren, who also served as executive producers with Thomas L. Miller and Robert L. Boyett. The final Miller-Boyett series to begin its run under parent studio Lorimar Television, Getting By was folded into Warner Bros. Television for its second season, following Warner Bros.' absortion of Lorimar. The series was initially successful as a part of ABC's TGIF lineup in its first season, but politics between ABC and Miller-Boyett Productions led to the show's switch to NBC in the second season.
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Title: The Family Man
Character: Allison Taylor
Released: September 11, 1990
Type: TV
A widowed fire chief tries to raise his four children with help from his father-in-law.
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Title: L.A. Law
Character: Chloe Hammond
Released: September 15, 1986
Type: TV
L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.