The last seven survivors of a nuclear war barricade themselves against an attack by a mutant cannibal.

The Guns of Will Sonnett is a Western television series

"Genius" accidentally invents "goo" which causes living things to rapidly grow to an enormous size. Seeing an opportunity to get rich, some delinquent teenagers steal the "goo" and, as a result of a sophomoric dare, consume it themselves and become thirty feet tall. They then take over control of the town by kidnapping the sheriff's daughter and dancing suggestively.

Gidget is an American sitcom about a surfing, boy-crazy teenager called "Gidget" and her widowed father Russ Lawrence, a UCLA professor. Sally Field stars as Gidget with Don Porter as father Russell Lawrence. The series was first broadcast on ABC from September 15, 1965 to April 21, 1966. Gidget was among the first regularly scheduled color programs on ABC, but did poorly in the Nielsen ratings and was cancelled at the end of its first season.

Branded is an American Western series which aired on NBC from 1965 through 1966, sponsored by Procter & Gamble in its Sunday night 8:30 p.m. Eastern Time period, and starred Chuck Connors as Jason McCord, a United States Army Cavalry captain who had been drummed out of the service following an unjust accusation of cowardice.

Many Happy Returns is an American situation comedy that ran on CBS for twenty-six episodes, from September 21, 1964 to April 12, 1965, under the sponsorship of General Foods. The Tagline of the show was Krockmeyer's Appreciates Your Patronage.

Mickey is an American situation comedy that aired on ABC from September 1964 to January 1965. Created and produced by Bob Fisher and Arthur Marx, the series stars Mickey Rooney, and was filmed at Metro-Goldwyn-Mayer Studios.

After reluctantly packing up his daughter, Mollie, and sending her away to study art at a Paris college, Frank Michaelson gives new meaning to the term "concerned parent." Reading Mollie's letters describing her counter-culture experiences and beatnik friends, Frank eventually grows so paranoid that he boards a plane to Paris to see firsthand the kind of lessons his daughter is learning with her new artist amour.

Kraft Suspense Theatre is an American anthology series that was telecast from 1963 to 1965 on NBC. Sponsored by Kraft Foods, it was seen three weeks out of every four and was pre-empted for Perry Como's Kraft Music Hall specials once monthly. Como's production company, Roncom Films, also produced Kraft Suspense Theatre. Writer, editor, critic and radio playwright Anthony Boucher served as consultant on the series. Later syndicated under the title Crisis, it was one of the few suspense series telecast in color at the time. While most of NBC's shows were in color then, all-color network line-ups did not become the norm until the 1966-67 season.

Arrest and Trial is a 90-minute American crime/legal drama series that ran during the 1963-1964 season on ABC, airing Sundays from 8:30-10 p.m. Eastern.

Going My Way is an American comedy-drama series

The story of a young intern in a large metropolitan hospital trying to learn his profession, deal with the problems of his patients, and win the respect of the senior doctor in his specialty, internal medicine.

Wilbur Post and his wife Carol move into a beautiful new home. When Wilbur takes a look in his new barn, he finds that the former owner left his horse behind. This horse is no ordinary horse . . . he can talk, but only to Wilbur, which leads to all sorts of misadventures for Wilbur and his trouble-making sidekick Mister Ed.

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore "The Beaver" Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.