A young, charismatic priest John, his time missionary in Africa, every day helping Warsaw young people addicted to drugs. Unconventional methods, which are used in pastoral work, raise many doubts about his superiors. Surprisingly, however, his life undergoes a sudden transformation when routine testing finds out that he is HIV positive.

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

Taming the Floods fulfills the dream of the landscape architect Jan Dijkstra: he can design an area in Poland that is regularly flooded by the river. Dijkstra wants to create a large nature reserve where people no longer have any influence: an area where the river can run its course and wolves can be set free. The fanatical landscape architect however does not bear in mind the needs of the local people. His younger colleague David is eventually sent to Poland to get things organised. Taming the Floods is a mixture of documentary and feature in which all the scenes are borrowed from situations which really happen or have happened. Alongside actors, roles are played by the local people, including farmers and a priest.

In this adaptation of an historical play by Pope John Paul II, painter Albert Chmielowski decides to devote his life to helping the homeless.

Death never gives back what it takes. Only sometimes change one life for other

A portrait of the director's family painted against a backdrop of changing seasons. A deep reflection on the meaning of existence and the inevitability of passing time and death.

A movie director finds himself in a mid-life crisis

Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...

This heroic story follows the life of Karol Wojtyla, a Polish Roman catholic who ascends the throne of St. Peter as Pope John Paul II. As a young boy, Karol is a bright and talented student. Archbishop Sapieha recognizes the very special, moving qualities Karol possesses and encourages him to consider the priesthood. Although determined to study Polish literature, Karol turns to the church; he is ordained and studies in Italy, France, and Belgium. Torn by fear and repression in post-Stalin Eastern Europe, Karol becomes a poisonous thorn in the communists' side. His deer reverence and commitment return him to Poland as Pope John Paul II.

Set in 1905. The story focuses on a young and inexperienced man in a revolutionary execution squad. He does his killing job out of idealism, and for the love of a woman. The young student murders a Russian spy and is afterwards arrested by the police. Much to his surprise he is released after a session with the traitor-judge, hinting at some leaks in the organisation. Student reports his suspicions back to the organisation, but in response is given a new hit mission.

This is psychological drama by Tomasz Zygadlo begins as a straightforward story. Jan (Roman Wilhelmi) is the host of a nightly talk show in which he counsels people who call in with their problems. He is dedicated to helping these lonely souls but becomes increasingly disturbed when his co-workers and supervisors at the radio station do not appreciate his program; they seem unable to grasp the importance of what he is doing. Aside from that, Jan's private life is frayed around the edges. His wife is a heavy drinker and his mistress has no comprehension about who he is or what he is doing. Jan's frustration over this lack of recognition builds to an explosive level, threatening to upset the balance of his daily life.

The story is of an engineer in conflict with his superior. He won't go along with the ususal corruption and conformity. He is left to himself amid indifference and ineptitude by his fellow workers and the management.

Nikodem Dyzma immigrates from the eastern part of Poland to the capital in the hope for possibilities to make a living. He is in need, very poor and forced to look for basic food and shelter. Yet, on a day when an unexpected invitation appears, his life changes dramatically.

Young former partisan recalls his war experience during a trip to the sea.

A married couple is unsuccessfully trying to have a child. The woman decides to bring her husband closer to another woman.

Two talented physicists used to work together in the frontline of academy in scientific discovery. One of them, Jan, gave everything up and went to a small, snowy village, to become a metereologist. The other one, Marek, who had a famous scientific career, doesn't understand why Jan is wasting his potential living a simple life, and tries to get him back to the big city. Clash of two attitudes, characters, ideas about the meaning of existence.

A dream-like meditation on post-industrial life in Communist Poland.

A young actor preparing for the part of Macbeth recalls his wartime memories connected with his mentor.

Study of a man obsessively seeking revenge.

Because of having a one-day plane delay, Konrad has to spend 24 hours wandering around Warsaw, visiting old friends and meeting some new ones.

The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center