The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

The ghost of a young German colonist, who died a couple of hundred years ago in unclear supernatural circumstances, appears in Chile to fulfill her mythical destiny. To achieve this, she will intervene in the life of an unsuccessful publicist and his lover.

A well-bred young woman who prizes the virtue of fidelity remains faithful to the doctor who deflowers her, even after he marries her invalid sister.

Catalina de los Ríos y Lisperguer is a beautiful woman who captivated and intimidated men due to her extreme beauty and indomitable personality. Her nickname "La Quintrala" became a synonymous of fear at the time. The show goes deeper into all the differents facets of Catalina, from her affairs, the mistreatment of her employees, her revenges and her pacts with occult beings.

Sir Thomas Bedford orchestrates the heist of a Spanish casino, with the aid of a singer performing there. The police are aware of their activities, and a hostage situation arises.

Film consisting of five stories: "Dios los cría...", dealing with brothers' rivalry for an inheritance; "Negocio redondo", about a lawyer selling a property to the Catholic church with guilty feelings; "Entre 12 y 1", where a couple and a close friend get trapped in an elevator; "La gran noche", a night in the life of an old prostitute; and "La otra", where a man alternates between two women.

A pilot is called back to his homeland, the Latin American republic of Arepa, by the rich islanders to participate in a complot to kill the dictator known as El León (The Lion).

Portrays the causes of emigration to the United States in a Puerto Rican family.

Sequel to Juan Orol's "Organización criminal". After 6 years in prison, gangster Tony Florino is released from custody. He repeatedly makes it clear he didn't snitch in exchange for a reduced sentence, but was given time off for good behavior.

The film, which is an ode to Rafael Hernández's song "Lamento borincano", is a social commentary of the political and social policies of the 40's and 50's which led to the abandonment of what was seen by many as the "pure", "virtuous" life of the finca (farm) for the "corrupting" influence of urban centers like San Juan and New York City.

A small town celebrates the triumph of their revolution. Under the euphoria of the moment, the town's founder is declared a traitor and the destruction of his statue is decided by the people. A journalist buys the statue before it is destroyed. Later, the townspeople discover that the statue isn't from who they thought it was and they decide to retrieve it. The journalist, however, doesn't want to give it back, giving rise to the dilemma.