Sri lankan Drama About Remote Village Life

Gharasarapa (The Lurking Serpent) (Sinhalese: ඝරසරප ) is a 2018 Sri Lankan Sinhala supernatural romantic horror film directed by Jayantha Chandrasiri and produced by Arjuna Kamalanath for Isuru Films. It stars Jackson Anthony, Kamal Addararachchi and Sangeetha Weeraratne in lead roles along with Sriyantha Mendis , Devnaka Porage and Kavindya Adikari. Music composed by Chintaka Jayakody. Kavindya Adikari, who is the daughter of popular singers Samitha Mudunkotuwa and Athula Adhikari make her debut cinema acting with the film. The film was screened at the Tharanga theatre at the National Film Corporation on 29th of June 2018. The film was officially released on 10 August 2018.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.

Maharaja Gemunu is based on the odyssey of King Gemunu (ruler of Sri Lanka 161–137 BC) who is renowned for defeating and overthrowing King Elara, the usurping Tamil prince from the Chola Kingdom, who had invaded the Kingdom of Rajarata in 205 BC.

Vadeesha Devaminda Wickramanayaka is a highly creative and sensitive young music student in his school. A special love letter that he finds accidentally, written by Punya, a women, more mature than him in both age and life, motivates him for some soul searching. He is also haunted by guilt, because he fails to deliver the letter, to who it belongs. His relentless efforts to return the letter to the women to her lover, fail. Sympathy mixed with emotions of love he feels towards this women, leads to him creating a song that captures a cathartic experience. This popular creation and many other songs that he gives birth to, for a period of 20 years, makes him a prominent musician in the country. But however, his memories and nostalgia towards Punya make him a failure in his married life. Although he regains his life by returning the letter to Punya after 20 years by chance, she is now left with a feeling of void her life.

Thisara, the owner of an advertising firm, gets a contract to make a propaganda campaign for the opposition leader Gregory Mahadikaram at the next presidential elections.

Iqbal is about an Asian boy who gets sold by his father to a small carpentry production company in which child labour is supported. His "master" is a cruel man, imposing a ridiculous behaviour catalogue with strict charges. The children, about 5-10 years of age, have to work all day and they´re not allowed to go to toilet while at work, let alone visit their parents. Iqbal soon realizes that this is a massive injustice, especially when a member of the (unindentified) country´s Communist and Anti-child labour party takes photographs of the children.

Calcutta, 1946. Violence rages in India. Sister Teresa teaches at a convent, but is haunted by the faces of the starving, the poor and the homeless; the faces of those less fortunate than her. With only her faith in God, she leaves the convent to live in the slums and care for the poor. An surprisingly, even one of the most revered, selfless heroes questioned her purpose.

Suwisal has turned 40. He's a forgetful businessman, a philanderer, indifferent to life around him, including his young and lovely fiancée. A visit to the house of his childhood triggers memories that continue to cascade when he is called for jury duty to hear the case against Piyum, a servant he seduced and abandoned 20 years before. Now a prostitute, she is on trial for murder.

Maruthaya is a very honest, daring, and dramtic exposure of the traumatic experiences of an honest politicain and his family. Director Vasantha Obeysekera’s frank and sensitive handling of an age old topic, conveys a clear message that in politics, honesty is not always the best policy! And politicians are losers everytime! Maruthaya highlights the tragic plight of a politician’s family, which had tasted all the perks of power when the going was good, and the shattering experience of being faced with defeat at the elections, and all the evil that comes with it in Sri Lanka.