Twende is a pangolin, which is the slowest-moving animal in the Savannah. His belief that 'life is about the journey, not the destination' is at odds with his job as a boda boda driver in the busy, fictional African city of Milima.

Twende is a pangolin, which is the slowest-moving animal in the Savannah. His belief that 'life is about the journey, not the destination' is at odds with his job as a boda boda driver in the busy, fictional African city of Milima.

Twende is a pangolin, which is the slowest-moving animal in the Savannah. His belief that 'life is about the journey, not the destination' is at odds with his job as a boda boda driver in the busy, fictional African city of Milima.

Twende is a pangolin, which is the slowest-moving animal in the Savannah. His belief that 'life is about the journey, not the destination' is at odds with his job as a boda boda driver in the busy, fictional African city of Milima.

Twende is a pangolin, which is the slowest-moving animal in the Savannah. His belief that 'life is about the journey, not the destination' is at odds with his job as a boda boda driver in the busy, fictional African city of Milima.

Twende is a pangolin, which is the slowest-moving animal in the Savannah. His belief that 'life is about the journey, not the destination' is at odds with his job as a boda boda driver in the busy, fictional African city of Milima.

Super Sema is the first African kid superhero animated series about an ordinary young girl on an extraordinary mission to protect her African village from a heartless villain and his army of pesky robots.

Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

Kenyan Jim Chuchu’s short film casts a voyeur’s obsession with the girl next door, blurring the lines between fantasy and reality, science fiction and fiction.