Unfolding in Milan at the end of the 80s, Bang Bang Baby is a crime series centred around a shy and insecure teenager, Alice, who becomes a mafia organisation’s youngest member in a bid to win the love of her father, an ‘ndrangheta affiliate.

To rescue his daughter, an unstable Special Forces veteran unleashes his inner beast as he pursues her kidnappers — and soon becomes a suspect himself.

Three Italian retirees embark on a journey to find a new country to live in.

After the death of his estranged father, professional rainbow-watcher Stefano finds out he has a 13-year-old half-brother, and that he must become his legal guardian to receive the inheritance.

A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

Karole and Ali love each other and dream of starting a family together. They soon realize it won't be as simple as they'd hoped, and as their enthusiasm falters their love is challenged. In order to overcome the obstacles, they must believe in the power of their desire and support of their loved ones. If they can do that, miracles will happen…

In Rome, a Virgin Mary statue is found crying blood. Pondering on the implications of the existence of miracles, and eventually, the existence of God, the people involved in the enigma start losing their minds.

A single mother faces a culture of sexual harassment at her new workplace.

Maurizio, tiny, reckless and full of energy, grew up in the poorest outskirts of Reggio Calabria, he argues with spiteful hens, speaks to wise donkeys and fights for his dream: to play the snare drum in the neighbourhood band.

La Merda is a poetic stream of consciousness where it is unleashed the bulimic and revolting public confidence of a "young" and "ugly" woman as she struggles with obstinacy, resistance and courage for her own celebrity breakthrough in the society of Thighs and Liberty. La Merda is driven by a desperate attempt to pull ourselves out of the mud, the latest products of the cultural genocide aptly described by Pier Paolo Pasolini since the modern consumer society began taking form. A totalitarianism, according to Pasolini, even more repressive than the one of the Fascist era, for capable of crushing us softly.

Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.