Two strangers, drawn inexorably to the Scottish West coast, meet in Oban and begin a relationship. Connie intends to return to America, a place she once called home, and David has an important career to follow. Is the bond they’ve made strong enough to keep them together? Or are they to be ships that pass in the night?

A zombie apocalypse threatens the sleepy town of Little Haven – at Christmas – forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.

On Christmas Eve, 1968, in a Scottish coastal town, a debt collector goes to work to avoid confronting his wife’s worsening psychosis at home.

Mockumentary comedy series following the life of scottish police officers from different areas of the force in a fly on the wall style.

Mockumentary set on the day of the 2014 Scottish Independence referendum and designed to capture a snap shot of a nation on the brink of both triumph and disaster.

The Young Person's Guide to Becoming a Rock Star is a British comedy series, which aired on Channel 4 in 1998. It was a six-part satirical take on the music industry, written by Skins creator Bryan Elsley. The plot centered around a young Glaswegian band - Jocks Wa Hey - as they struggle to find success. The series won the 'Best Drama Serial' award at the 1999 RTS Television Awards and, that same year, writer Bryan Esley was nominated in the RTS 'Best Writer' category for the series. It was remade as My Guide to Becoming a Rock Star, a short-lived American/Canadian series that starred Oliver Hudson and was made for the now defunct The WB Television Network.

In the autumn of 1773, the English writer Samuel Johnson visits the Hebrides, or Western Isles, off the North-West coast of Scotland. With him are his friend, the Scotsman James Boswell, and his black servant Francis Barber. Staying with a series of hosts, including elderly Jacobite heroine Flora McDonald, Johnson and Boswell encounter traditional Scottish hospitality at first-hand, all the time arguing about politics (and in Boswell's case losing his head over every pretty woman he meets). Meanwhile, Francis and another black servant they encounter provide evidence of the new consciousness emerging in Britain's soon-to-be-independent American colonies.