Jenny Beavan

Jenny Beavan

Born: November 15, 1950
in London, England, UK
From Wikipedia, the free encyclopedia

Jenny Beavan, OBE (born 1950) is an English costume designer. She has been nominated for the Academy Award for Best Costume Design twelve times, winning three awards for the movies A Room With A View (1985) (for which she shared an award with John Bright), Mad Max: Fury Road (2015), and Cruella (2021). She has also been nominated nine times for a BAFTA Award, winning four awards for A Room With A View, Gosford Park (2001), Mad Max: Fury Road, and Cruella. Beavan also received a Tony Award nomination for Best Costume Design for the play Private Lives.

Movies for Jenny Beavan...

Merchant Ivory
Title: Merchant Ivory
Character: Self
Released: November 11, 2023
Type: Movie
Merchant Ivory is the longest running partnership in the history of cinema. As a film production entity, Merchant Ivory was founded in 1961 by producer Ismail Merchant (1936–2005) and director James Ivory (b. 1928). Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005. During their time together they made 43 films.
bee
The Remains of the Day: The Filmmaker's Journey
Title: The Remains of the Day: The Filmmaker's Journey
Character: Self
Released: January 1, 2001
Type: Movie
A documentary about making The Remains of the Day.
bee
Hullabaloo Over Georgie and Bonnie's Pictures
Title: Hullabaloo Over Georgie and Bonnie's Pictures
Character: Governess
Released: September 1, 1978
Type: Movie
This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who come to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple—nicknamed Georgie and Bonnie as children by their Scottish governess—they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey), who, in league with the Maharaja’s beautiful sister (Aparna Sen), may be working against them. Amidst the backdrop of lavish tourist entertainments, Christmas parties, fireworks, and even an English ghost, a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.