Against the anxieties and fears of post-9/11 America, an Arab cab driver picks up a troubled professional woman with unexpected results.

Over forty and in a bit of a midlife crisis, Tunisian film director Raouf is prone to excessive drinking when not engaged in an argument with his French-born wife Lou (Marianne Basler). One respite to Raouf's dreary life is a recent film assignment -- to shoot an autobiographical film about his childhood. While working on the script, Raouf recalls his childhood home life under the strictures instituted by his devoutly religious father. The polar opposite of Raouf's father was his uncle Mansour, a jolly, life-loving soul who introduced Raouf to cinema through his work as a wandering film projectionist, which angered and shocked his father to no end but proved to be the most pivotal development in the youngster's life. Through cinema, Raouf found his place in this world and came-of-age -- something he may have to revisit in his adult life if he wishes to salvage his marriage.

After a New Year's Eve party, 30-year-old fashion designer Rebecca (Nathalie Schmidt) awakens alone in a strange automobile. Later, during a routine visit to her gynecologist, she learns that she's pregnant. Unable to recall anyone responsible, she attempts to find the father as she treks through Paris streets, quizzes her girlfriends, and visits a Belgian detective. With few leads, her search drags on for months.

Roufa is an attractive young man, and that works out well for him because he is a practitioner of "bezness:" he's a sex-for-hire boy for the tourists who come to Tunisia. His girlfriend deeply resents his having sex with other women but doesn't seem much bothered that a rich German man he's been having sex with is hoping to sponsor him in Europe. She also has a hard time with his tendency to behave like any other Arab male around a woman, telling her how to take care of her business. As it turns out, she's got better sense than any of the men around her.

A woman becomes trapped in the middle of a feud between two men while attempting to free her younger brother from a life of petty crime.

A young Algerian in Paris has not been as successful as he claims in letters home, and when his mother unexpectedly arrives for a visit of several months, he is hard put to hide his circumstances -- and the fact that he has resorted to small-time criminal activity to support himself. His mother disembarks in her traditional attire, a warm-hearted woman who does not have a clue as to how this foreign society functions but also has absolutely no inhibitions about finding out, if the need arises. As the story progresses, the mother catches on to her son's circumstances though the two are still not able to confront the deception and right it. Even with a low budget, this first-time feature-length story by Bahloul Bahloul combines satire, comedy, and pathos to bring home a relationship between mother and son that transcends life's many obstacles.