The gripping, decades-spanning inside story of Her Majesty Queen Elizabeth II and the Prime Ministers who shaped Britain's post-war destiny. The Crown tells the inside story of two of the most famous addresses in the world – Buckingham Palace and 10 Downing Street – and the intrigues, love lives and machinations behind the great events that shaped the second half of the 20th century. Two houses, two courts, one Crown.

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

After Kick-Ass’ insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.

The peacefulness of the Midsomer community is shattered by violent crimes, suspects are placed under suspicion, and it is up to a veteran DCI and his young sergeant to calmly and diligently eliminate the innocent and ruthlessly pursue the guilty.

Aspiring screenwriter, Cass, sits ruminating on her ended relationship with Ezra. Memories overcome her - she guides us through the highs and lows, her internal monologue serving as an apology and a testimony for why things ended the way they did. She confesses to having lost interest once things became too dull and stopped inspiring her writing. The desire for true, raw feeling culminates as she states she wants to get beaten up. Someplace else, Ezra is leaving a voicemail to Cass. As his emotions let loose, he reveals a darker side to Cass’s hunger for inspiration. Unsure of whether anything in their relationship was real, he wishes that him and Cass never met, and urges her to write about her life and back off his. With neither character's monologue reaching their addressee, nothing is resolved, instead painting a complex portrait of the incompatibility of Cass’s tendency to write about what’s happening around her, and Ezra’s unwillingness to simply be a character in her scripts.