The absurd adventures of two defective detectives, who - despite unbelievable incompetence - somehow manage to solve their cases (or be nearby when the cases are solved) and retain their jobs.

It's a new start for teenager Rita Patel and her family - new home, new school, new diary, new life. But their happiness is short-lived when racist skinheads attack the family and their home.

Bread is a British television sitcom, written by Carla Lane, produced by the BBC and screened on BBC1 from 1 May 1986 to 3 November 1991. The series focused on the devoutly-Catholic and extended Boswell family of Liverpool, in the district of Dingle, led by its matriarch Nellie through a number of ups and downs as they tried to make their way through life in Thatcher's Britain with no visible means of support. The street shown at the start of each programme is Elswick Street. A family called Boswell had also featured in Lane's earlier sitcom The Liver Birds and Lane admitted in interviews that the two families were probably related. Nellie's feckless and estranged husband, Freddie, left her for another woman known as 'Lilo Lill'. Her children Joey, Jack, Adrian, Aveline and Billy continued to live in the family home in Kelsall Street and contributed money to the central family fund, largely through benefit fraud and the sale of stolen goods.

Crime, drama. In Las Vegas, young Barry Nichols inadvertently steals a fortune from the Mob and is slashed to death by a limping hood. Later, his girlfriend Cass arrives in London with a stack of stolen credit cards looking for Ben Turtle, a talented pianist whose fingering is famous in the world of credit card crime. Their stormy relationship is hindered by hotel detective Keith Banks and assistant manager Diana Sharman. -- BFI synopsis from http://www.bfi.org.uk/films-tv-people/4ce2b69480238

"These Indian films. They're done to a formula - songs, dance, routines and a lot of sentimental heavy breathing." When her 17-year-old son Roy falls in love with a Muslim girl, and a Bangladeshi butcher seeks help from her husband Raji, Leela realises that the tears and romance of Indian cinema are closer to her own life than she has ever imagined.

Clive decides he will go mad. Stark raving mad. His wife doesn't take him seriously, until Clive does something that makes her realise he means it.