A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.

Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.

The Emir of Beirutistan gets the hots for a Mexican singer and arranges to have her kidnapped. Her costar and manager tag along to rescue her.

New sheriff cleans up the town. First (?) in "Mauricio Rosales" series.

A murderer turns himself to the police, but claims amnesia and insists he's unable to tell them anything about his crime.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

An English slave trader is marooned on a remote tropical island, forced to fend for himself and deal with crushing loneliness.

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.

Dr. Castellanos is saved from bankruptcy.

Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass.

Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.

This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.

A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.

Career criminals vie for ownership of a disreputable waterfront dive and for the love of the cabaret-gal that sings there.

A poor shepherd is convinced to marry a beautiful woman. This is a Maquiavellian plan schemed by the woman's fiancé and her father.

Cardoza's death, a candidate for mayor of a village chief enemy and Rosauro Castro, leads to Mr. Garcia Mata to undertake an investigation. Upon arriving realizes that even the whole town, including the mayor, lives in fear by the chief and only achieved revenge end the injustices committed by Rosauro Castro.

Three generations of a stable, middle-class family in the capitol are scattered to the four winds by blowback from the Mexican Revolution.

Unscrupulous boss frames an employee for a robbery so he can make time with the guy's sister.

This is the story of three brothers (a priest, a soldier and an outlaw) that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.

Cantinflas is a private in the military, who doesn't know anything about discipline or following rules. He only wants to think about his girlfriend, the maid in an opulent hacienda. The owner of the hacienda has an ugly and shy daughter, who is in love with Cantinflas. The problems arrive when the family arranges a wedding between the ugly girl and Cantinflas, who in order to avoid the commitment gets himself arrested. During his punishment, Cantinflas learns to fly with a silly and poorly trained flight instructor.

El Amor de M Bohio, which translates to "The Love of My Hut" (or shack ) and it comes from the lyrics o a popular love ballad of the same name. It is Director Juan Orol's tale of a violent love triangle where two farm hands out to prove who is the most macho, and thereby win the affections of a woman. This tragic love story takes place on a tropical plantation located just outside of Havana, where its workers are housed in small, thatched-roof "bohios". The two rival suitors are driven by passion for the girl they both love, and soon engage in a series of challenges designed to help this young woman choose the right guy in the end. These competitions start out to include simple and benign activities at first, like dancing, singing and dueling guitars, or betting on the winning bird at a cock-fight, However, they soon escalate to more violent activities, like public brawls, and saber dueling, which set life changing events into motion for everyone.

Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.

Gangster Johnny Carmenta must confront the "Charro of the Slums" Pancho Domínguez, who has control over the city, but their rivalry gets worse when rumba dancer Rosa befriends both men.

A janitor in a large bank is accused of pulling of a major heist. He is forced to become a fugitive while hunting for the real culprits.

College-educated emigre has to get macho when he returns home to the Venezuelan outback.

The story of the adventures and entanglements of the son of a famous film producer who is forced to study law.

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

In times of the French Intervention, a student of Nunó, author of the Mexican National Anthem, falls in love with the niece of the French Ambassador, which causes quite amusing complications.

Julian gets framed for stealing a company check by his superior Carlos who's courting his wife Olga together trying to get him outa the way so they can be together, setting him up, the deed does the job and Julian lands in jail.