Mae quit school and ran away from home. After her brother’s death her family is broken. Only his red shoes (Chucks) remain. Mae has to start working in a social institution where she meets Paul. He is funny, sensitive, takes Mae as she is - and he is terminally ill. In a book named Chucks Mae writes down her own story about growing up between life and death: wild, tender and absolutely honest.

Adapting its title and theme from Thomas De Quincey's murder text, this long-overdue return to narrative cinema by the great British filmmaker Peter Whitehead is based around a mesmerizing psycho-geographical exploration of modern day Vienna. The film incorporates a record of the subversive underbelly of the city into a poetic meditation on conspiracy theory, ecoterrorism, time and cinema, retracing the story of The Third Man. Adapted from a trilogy of Whitehead's own Nohzone novels, the objective and subjective becomes blurred as the film director merges with the fictional detective in a journey into the murky activities of covert counter-insurgency groups. Kaleidoscopic in intent, the film mixes Noh theatre, Victorian novels, Vienna after the war, opium, domain names and Jacob's ladder "pitched twixt Heaven and Charring Cross".

Short film about violence against children.

SOKO Donau is an Austrian television series.

This melodrama about love in the third age focuses on the 65-year-old Mathilde living alone after the death of her husband. When she gets to know the attractive Carlo in the opera, she sleeps with him at the same evening. Mathilde tries to call him up some days later, but learns he gave her a wrong number. Despite this disappointing experience, she gets to know the sympathetic Hannes. They become a couple, but after a while, Mathilde meets Carlo, who apologizes and admits being married to a dead sick woman, again...

"Restless Solitude" is the story of young people who begin to perceive themselves in the context of their surroundings, though they cannot find an acceptable world within our civilized society. Instead of being accepted by a community, they see themselves as trapped in their adolescent dreams, because a world oriented exclusively towards material values cannot offer them an ideal place to live. Either one's spirit is broken when the individual is integrated into society, or the individual breaks with society. In both cases, the young adult is susceptible to seduction in a number of possible ways, eventually becoming a victim rather than a member of society.