For generations the Zhao family has wielded power, until their mortal enemy TU’AN GU slaughters the entire clan, determined to wipe out their influence forever. But one Zhao baby survives hidden by CHENG YING the doctor who delivered him. When Tu’an Gu learns of the baby’s escape he seizes every infant in the city, vowing to kill them all unless the Zhao baby is surrendered. As the tyrant’s soldiers arrive at Cheng Ying’s home the frantic doctor hides his wife with their own baby whilst surrendering the Zhao child as his own. But his family is discovered; his baby is presumed to be the Zhao heir and murdered along with his wife for harboring the infant. Now set on revenge Cheng Ying enrolls the Zhao orphan into the service of the Tu’an Gu household, plotting to use him as an instrument of vengeance when he comes of age.

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It tells the story of the abbot Zhi Yuan and his five disciples during the chaos of the Northern and Southern Dynasties period.

It tells the story of the abbot Zhi Yuan and his five disciples during the chaos of the Northern and Southern Dynasties period.

The story of the Opium War between China, in the waning days of the Qing Dynasty, and the British Empire, in the 1830s, and the subsequent takeover of Hong Kong by Britain; through the eyes of the key figures, fiercely nationalistic Lin Zexu, and opportunistic British naval diplomat Charles Elliot.

Romance of the Three Kingdoms is a Chinese television series adapted from the classical 14th century novel of the same title by Luo Guanzhong. It is part historical, part legend, and part mythical – romanticises and dramatizes the lives of feudal lords and their retainers, who tried to replace the dwindling Han dynasty or restore it. The focus is mainly on the three power blocs that emerged from the remnants of the Han dynasty, and would eventually form the three states of Cao Wei, Shu Han, and Eastern Wu. The novel deals with the plots, personal and military battles, intrigues, and struggles of these states to achieve dominance for almost 100 years.

Herman Yau turns his eye on the struggles of immigrants from Mainland China in this neorealist drama, which depicts the plight of a woman forced into prostitution after her husband becomes unemployed, leading to an unflinching story about the problem of domestic violence among families living in poverty.

Nezha gets into trouble and implicates his parents, who get punished by the heavens along with him. He bravely steps up and admits his fault, which touches the heavens, and his effort comes to fruition. The family of three finally reunites in the end.