Hyacinth Bucket (whose name, she insists, is pronounced "Bouquet") is a suburban housewife in the West Midlands. She would be the first to tell you that she is a gracious hostess, a respected citizen, and a well-connected member of high society. If you don't believe that, just ask her best friend Elizabeth, held captive in Hyacinth's kitchen; or the postmen and neighbours who bristle at the sound of her voice; or Richard, her weary and compliant husband. In fact, Hyacinth's reputation could be as perfect as her new lounge set, if not for her senile father's love of running wild in the nip. Oh, and she would prefer it if her brother-in-law was a sharper dresser. And that her husband was more ambitious. And that her sisters were more presentable. And do take your shoes off before you come in the house, dear. Mind that you don't brush against the wallpaper.

Hyacinth Bucket (whose name, she insists, is pronounced "Bouquet") is a suburban housewife in the West Midlands. She would be the first to tell you that she is a gracious hostess, a respected citizen, and a well-connected member of high society. If you don't believe that, just ask her best friend Elizabeth, held captive in Hyacinth's kitchen; or the postmen and neighbours who bristle at the sound of her voice; or Richard, her weary and compliant husband. In fact, Hyacinth's reputation could be as perfect as her new lounge set, if not for her senile father's love of running wild in the nip. Oh, and she would prefer it if her brother-in-law was a sharper dresser. And that her husband was more ambitious. And that her sisters were more presentable. And do take your shoes off before you come in the house, dear. Mind that you don't brush against the wallpaper.

Sherlock Holmes is drawn into the case of Jack the Ripper who is killing prostitutes in London's East End. Assisted by Dr. Watson, and using information provided by a renowned psychic, Robert Lees, Holmes finds that the murders may have its roots in a Royal indiscretion and that a cover-up is being managed by politicians at the highest level, all of whom happen to be Masons.

Danger UXB is a 1979 British ITV television series about World War II developed by John Hawkesworth and starring Anthony Andrews as Lieutenant Brian Ash, an officer in the Royal Engineers. The series chronicles the exploits of the fictional 97 Tunnelling Company which as a result of thousands of unexploded bombs in London during the Blitz has been made a bomb disposal unit. As with all his fellow officers, Ash must for the most part learn the techniques and procedures of disarming and destroying the UXBs through experience, repeatedly confronted with more cunning and deadlier technological advances in aerial bomb fusing. The series primarily featured military story lines, with a romantic thread featuring an inventor's married daughter, Susan Mount, with whom Ash falls in love, and other human interest vignettes. The programme was titled and partly based on the memoirs of Major A. B. Hartley, M.B.E, RE, Unexploded Bomb - The Story of Bomb Disposal, with episodes written by Hawkesworth and four screenwriters. The series was filmed in 1978 in and around the Clapham, Streatham and Tooting areas of South London. The programme appeared on the U.S. PBS as a segment of Masterpiece Theatre from January 4 to April 5, 1981. It was also screened in Australia on the public broadcaster ABC Television.

The famous Pink Panther jewel has once again been stolen and Inspector Clouseau is called in to catch the thief. The Inspector is convinced that 'The Phantom' has returned and utilises all of his resources – himself and his Asian manservant – to reveal the identity of 'The Phantom'.

The working-class Smiths change their initially sunny views on World War I after the three boys of the family witness the harsh reality of trench warfare.

Not strictly TV productions, "The Scales of Justice" were cinema second features produced for Anglo Amalgamated running around 30 minutes and followed the "Scotland Yard" series of shorts also introduced by Edgar Lustgarten. Production was sporadic (presumably filling gaps in the Edgar Wallace schedule), the first three released Nov-Dec 1962, a second batch of three released Sept/Oct 1963, two more in Feb 1965, one in Dec 1965 and a final batch (in colour) Sept 1966 to March 1967. The usual Merton Park recipe of familiar British actors in tightly plotted screenplays (based on real cases) with better than usual B movies production standards. All thirteen have now (Oct 2012) been released on DVD by Network.