In the final hours of April 14, 1912, the RMS Titanic, on her maiden voyage from Southampton to New York, collided with an iceberg and ‘the unsinkable ship’ slowly sank. It was one of the most tragic disasters of the 20th Century. Fifteen hundred seventeen men, women, and children lost their lives.

The Brittas Empire is a British sitcom created and originally written by Andrew Norriss and Richard Fegen. Chris Barrie plays Gordon Brittas, the well-meaning but incompetent manager of Whitbury New Town Leisure Centre. The show ran for seven series and 53 episodes — including two Christmas specials — from 1991 to 1997 on BBC1. Norriss and Fegen wrote the first five series, after which they left the show. The Brittas Empire enjoyed a long and successful run throughout the 1990s, and gained itself large mainstream audiences. In 2004 the show came 47th on the BBC's Britain's Best Sitcom poll, and all series have been released on DVD. The creators Andrew Norriss and Richard Fegen often combine farce with either surreal or dramatic elements in episodes. For example in the first series, the leisure centre prepares for a royal visit, only for the doors to seal, the boiler room to flood and a visitor to become electrocuted. Unlike the traditional sitcom, deaths were quite common in The Brittas Empire.

Hugo Buckton seems to have it all: He is apparently rich and has a beautiful wife and a doting son. In actuality, though, Hugo is having money problems and is paranoid that his wife is cheating on him. After a boozy night at a party, Hugo hits and kills a woman with his car -- and at his friends' urging, keeps driving. When Hugo starts receiving letters from someone who knows about the accident, he begins to suspect that he has been set up.

This is a semi-autobiographical, dramatised documentary about the life of film director John Pett, as he grew up in Shebbear, an isolated village in Devon, in the 1930s.

Black Adder traces the deeply cynical and self-serving lineage of various Edmund Blackadders throughout British history, from the muck of the Middle Ages to the frontline of the First World War.

Howard Brenton's play, written for television, examines terrorism and the state's complex relationship with it and language surrounding it.