A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.

Stephen Thrower examines locations used in Jess Franco movies.

One of the most important English singers of 20th century traditional song, Shirley Collins and her sister Dolly stood at the epicentre of the folk music revival from the 1950s through to the 1970’s. Directors Rob Curry and Tim Plester have created a poetic response to the life-and-times of this totemic musical figure. Four years in the making, and co produced by Fifth Column Films and Burning Bridges, The Ballad of Shirley Collins is the fascinating first release from Fire Films - available to you exclusively through the Lush Player. A captivating study of heritage, posterity and the true ancestral melodies of the people, this heartwarming film revolves around Shirley’s tragic loss of her voice and struggle back to the limelight. And ultimately, it suggests that in these turbulent and increasingly untethered times, we may just need Shirley Collins and all she represents more than ever.

Genre writer Stephen Thrower discusses the film. We find out from the ever-informative Stephen that the film was shot in Munich; that composer Bruno Nicolai taught Ennio Morricone.

Documentary on the making of the low-budget 1970's drive-in cult classics Axe (1974) and Date with a Kidnapper (1976)

The focus is on the eighty-two Section 3 titles, those advised by the DPP not to be obscene, but still known to have been seized. After a short introduction, each film is discussed in turn by an expert, followed by the film's trailer.

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.

The focus is on the eighty-two Section 3 titles, those advised by the DPP not to be obscene, but still known to have been seized. After a short introduction, each film is discussed in turn by an expert, followed by the film's trailer.

Every Video Nasty from the DPP list of 39 is critiqued and explored, followed by the original trailers.

Every Video Nasty from the DPP list of dropped 33 titles is critiqued and explored, followed by the original trailers.

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

This documentary shows the mindset of the some of the most original and influential artists of the experimental scene (Coil, Current 93, Foetus, Test Dept.). An unprecedented insight into the workings, the methods and the ideas that made these names legendary. Filmed in Hamburg, Amsterdam and London, 1985-1987.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.

Film historian Stephen Thrower discusses the 1970 cult classic Eugenie.