In the 70s Matteusz Gdula invented an acting method that was supposed to make every actor “shine”. Still, lots of his students die mysteriously and Gdula commits suicide. His method gets banned. Now: Stella, an ambitious, but rather untalented drama student, gets accepted at the „Matteusz Gdula“-school. When she bears witness to some strange occurrences, she gets drawn into the bizarre and deadly web that surrounds the dark secret of the school...

Nature film about Breuer Jr. and his legacy.

About a man who suffers hell on earth after accidentally hitting his girlfriend. Richard, actor in a daily soap opera, wants to brighten up his crisis-prone girlfriend Katja and organizes a birthday party. After the guests had left, he wants to sleep with her, but she doesn't want to. When Katja playfully repulses his advances, Richard inadvertently knocks her unconscious.

A musician tries to get by working several jobs.

Before WWII: Dr. Hasenbein lives with his son Peter in a small town. Aunt Uschi's orphanage houses many children and a hamster. When the hamster falls ill, Dr. Hasenbein is given something to do. The tailor, Mr. Voss, is also treated by Dr. Hasenbein: for tendinitis. During the war, Dr. Hasenbein has to go away. When he comes back after 30 years, everything has changed...

Nino, a regular working-class guy, finds that a hitman has been hired to kill him. He discovers that a wealthy woman has been kidnapped and that everyone who was involved in it is being killed off. However, Nino had nothing to do with the kidnapping and has to find out who has sent the killers and stop them before it's too late.

Rick (Rutger Hauer), a disaffected sailor turned hard drinking womanizer, returns home from six months at sea to find his wife (Corrigan), whom he was deeply in love, has unexpectedly left him and is now a junkie whore. Devastated, he tries to ease his pain with booze and cheap thrills. His wife's best friend (Dagmar Lassander) makes a move on him, and when he spurns her (after scewing her first, naturally) she plots her revenge. She does so in an ingenious way, by exploiting a fantasy woman of his, but her plan backfires with tragic consequences.

Students collect material for a term paper on recreation through winter sports.

An episodic battle of the sexes inspired by the best-selling book of the same name.

Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the blonde Clemens, who invites him home for coffee and offers him a place to stay. Soon Daniel is living with Clemens and believes he has found the love of his life. The two try to imitate a bourgeois marriage and its lifestyle. But after four months of tedium, Daniel is cruised by a rich older man who entices him to move into his villa, where he encounters a group of older gays, pretentious in their appreciations of fine art and classical music, who fawn over him.

Josefine is a young streetwalker in Vienna at the turn of the 20th century. She manages to sleep her way to the top by marrying a British aristocrat, and she delights in telling ribald stories of her sordid past to moralistic prudes.

In a big city Edith K., called "Madame", runs her fashion salon. She plans to spend the coming weekend with a friend and her models in her villa in the countryside to indulge in lesbian tastes while having good meals.

"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders