Jessica navigates her way through a world where everything seems much bigger than she is; inspired by the grown-ups around her, she persists in conquering monumental children's tasks.

Gary Starke is one of the best ticket scalpers in New York City. His girlfriend, Linda, doesn't approve of his criminal lifestyle, though, and dumps him when she gets the opportunity to study cooking in Paris. Gary realizes that he has to give up scalping if he has any chance of winning her back. But before he does, he wants to cash out on one last big score. He gets his chance when the pope announces he'll be performing Easter Mass at Yankee Stadium.

Janna Riley is the awkward and shy girl nobody ever seems to notice. Not being able to live up to her mother's expectations of popularity, Janna walks through the school hallways alone, though her eyes are always on a certain football player, Bo Callahan. Laughed at and made fun of by the in-crowd, Janna sees her opportunity to become accepted when a fateful motorcycle "accident" lands Bo into her arms and under her doting care. Bo's vulnerable condition enables Janna to kidnap Bo and, in the style of Stephen King's "Misery," the viewer is held captive for every thrilling second.

Young, urban newlyweds Paul and Jamie Buchman try to sustain their marital bliss while sidestepping the hurdles of love in the '90s.

Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.

Murphy Brown (Candice Bergen) is a recovering alcoholic who returns to the fictional newsmagazine FYI for the first time following a stay at the Betty Ford Clinic residential treatment center. Over 40 and single, she is sharp tongued and hard as nails. In her profession, she is considered one of the boys, having shattered many glass ceilings encountered during her career. Dominating the FYI news magazine, she is portrayed as one of America's hardest-hitting (though not the warmest or more sympathetic) media personalities.

Molly Stewart is now a successful freelance photographer in New York, and after seeing a familiar woman at an art gallery, begins to suspect that she might be her long missing mother. Following her trail to Los Angeles, Molly finds herself in the center of a major crime syndicate who will stop at nothing to execute their diabolical plans.

Two fraternity pledges go to a sleazy bar in search of a stripper for their college friends, unaware it is occupied by vampires.

After being duped and going bankrupt, model Maddie is convinced by David to become a partner in a detective agency. Together they solve various cases, while getting comfortable with each other.

Just Our Luck is a short-lived American sitcom which aired on the American Broadcasting Company in the fall of 1983. Created by brothers Lawrence and Charles Gordon, it was considered a modernized version of the classic 1960s sitcom I Dream of Jeannie. The series stars Richard Gilliland as a mild-mannered TV weatherman for KPOX-TV, and T. K. Carter as a hip, fun-loving 3,000-year-old genie who is freed by Gilliland after being imprisoned in his bottle for nearly two centuries. The series was produced by Lorimar Productions, and initially promoted by ABC as one of its new ambitious comedies along with Webster. Just Our Luck was created to compete against The A-Team on NBC but earned low ratings for much of its run. It was poorly received by critics, however, and was the subject of controversy when the NAACP charged the show with promoting negative stereotypes of African-Americans. The NAACP originally campaigned to have the show removed but later settled for a degree of creative control in the show's development. This included changes to Carter's dialogue, the hiring of black staff writers and the addition of Leonard Simon to the cast. The show was cancelled after three months.

Retired cop and celebrity DJ Tucker Williams (aka The Disco Godfather) takes to the streets as a dangerous hallucinogenic drug called Angel Dust begins to take hold of the neighborhood.

Having lost what little community support they once had, the Des Moines Vixens, an abysmally bad and extraordinarily unlucky women's professional basketball team, appear headed for extinction. Their prospects brighten, however, when the Vixens' new leadership, a florist and his dope-smoking son, use the profits from their new cash crop (marijuana) to develop the team. Still, if they want to remain in town, the female cagers must prove themselves against a military men's squad. The late NBA great "Pistol Pete" Maravich appears as a member of the Army team.