Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.

France, November 2015. After the Paris terror attacks, the state of emergency is proclaimed to facilitate the work of police forces. 4 AM. A policewoman helps colleagues to conduct a search, but soon finds out that things aren’t going the way they’re supposed to.

A comedian's relationship with his family crumbles when his career begins to take off.

December 1994. On Saturday 24th, four GIA terrorists hijack an Air France A300 Airbus, bound for Paris, with 227 passengers on board, at the Algiers airport.

This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.

Two young Algerians born in France leave the Paris region to return with their parents to the village of their origins. They speak neither Arabic nor Berber. First barrier which isolates them from their new environment and which is further accentuated by the problem of generations, present here as in France. The social position of Algerian women posed to young emigrants is more immediately felt and proves to be a generator of conflict. Thanks to the plot, it is the whole problem of the reintegration of emigrants in their land of origin that the film poses and illustrates.