When Hanna (Fanny Krausz) unexpectedly inherits half of her deceased grandmother's farm in Lower Bavaria, the young woman's life is turned upside down. Because the testamentary conditions have it all! She has to run the farm for four weeks with her cousin Max (Daniel Gawlowski) and worse: spend every night there - otherwise everything goes to church. A bad time, because Hanna is about to step into Alex's Munich coffee bar. And it just so happens that Alex (Matthias Gärtner) is also the man of her dreams. Hanna throws herself into adventure and tries to master the balancing act between town and country. But the longer she is in her old home, the more she realizes her true longings. She doesn't just uncover a family secret,

Doctor Nina falls in love with the charismatic architect Mark, who was imprisoned for manslaughter. Her neighbor Melanie, unlike her husband, is thrilled with Mark. But one day Melanie disappeared without a trace.

Honesty is the best? The original comedy tells of a farmer's clever family, which comes to this insight after some confusion. Director and author Thomas Kronthaler packages a fine morality about money, family ties and charity with a black sense of humor and a sense of subtle punchlines. In addition to Saskia Vester and Heinz-Josef Braun, who is mainly known through the films of Marcus H. Rosenmüller, shines not least the multi-award winning Gertrud Roll as a clever senior.

Divorced and single bailiff Carla Schön has many problems with her pubescent daughter Eva. However, she cannot use these problems because she has to work in her everyday life. Even in her hobby, orchestral playing, she is absolutely tense. But then she meets the musician Andi Jannings and falls in love with him. He is a dry alcoholic and is in constant dispute with his ex-wife. To make matters worse, he is also a caretaker at Eva's school. Torn between her new love and daughter, Carla soon finds that her next job has to do with Andi. He has money problems and, accordingly, has not made any maintenance payments to his ex-wife.

Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.