Woolf’s Orlando follows the centuries-spanning life of a young nobleman who awakens to find that they a woman. Almost a century after its publication, Paul B. Preciado claims that fiction has become reality and Orlando’s story lies at the root of all contemporary trans and non-binary life.

Karim is a young queer science fiction filmmaker. The grief of his break-up with Paul prevents him from writing the script for his film Nuit de Chine. On his mother's advice, he gives up science fiction to write a film about love. One afternoon at the café, he runs into the hero of his film, Fouad, and falls in love.

Dead city. Foggy night. A saxophone is playing. Lust is lurking.

Today is a day like any other for Kalthoum and her girlfriends. They sip cocktails, look for sex on the Internet, impatiently wait for love and once again, endure the transphobic insults of strangers. But today it’s not going to be like that: the four transgender friends will imagine their revenge.

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

Sarah, a disabled girl aged about twenty, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner, Victoria, a transsexual woman, will upset the family balance.

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.