A bunch of horny gayboys journey to a witch’s manor in Normandy.

Non-binary film maker Toni Karat invited queer and sex-positive people of the ‘Berlin porn bubble’ for this impressive documentary about narcissism and self-love. In authentic and touching self-reflective interviews ten protagonists who are as diverse as possible – lesbian, gay, queer, trans, non-binary and often over 50 – tell their sexual stories and contemplate their personal journeys and struggles. It’s an almost philosophical little masterpiece with a lot of honesty and authenticity on both sides of the camera.

Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? "Masking Threshold" combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.

The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).

Thirsty one night stands, confused straight boys, rooftop confessions and a ménage-à-trois that explodes with hilarious results - it's all just part of the package in this latest offering of spirited story-telling from our Gallic friends. The short films are: Discreet [Scred] (2017); Distinguished Feelings [Sentiments distingués] (2019); Rue des Roses (2012); First Love [Premier amour] (2021); The Edge [4 fromages] (2019); Without Transition [Sans transition] (2021); Fragile [Babtou fragile] (2021).

Two sex workers meet in a Berlin brothel. In a place where the female body is a commodity, they experience moments of happiness. A feisty love story about attraction, fears and self-determination.

The film shows the passing of a day in the life of a young woman. In the beginning, she is alone in her apartment. It seems that she is going through a separation from her beloved person (a female). She is trying to cope with this loss by reading (a book by Renée Vivien and a poem by Goethe), moving around things in the apartment, thinking about the lost person. As the day ends and night falls, a nightmare-like vision haunts her - and a new path of hope opens up. This is the primary story of the film, told in a particular way, by means of storyboard and off-narration, inspired by the works of Marina Abramovic, Chantal Akerman, Guy Gilles and Chris Marker.

Mehdi is a hopeless romantic. But he’s too uptight according to his best friend, Olive, who urges him to loosen up and have some fun with gay dating apps.

Paul doesn’t know if he’ll attend the book fair tonight, even though they are waiting to celebrate his book. From his hotel room he spells notes to the recorder and sets the stage for another type of party. A fantasy of many, the story of no one… when it comes to imaginary tales, who are we to judge?.

Lars, a male nurse from Saarbrücken, moves to Berlin with his lover, Roland. They begin to renovate an apartment and their happiness seems almost complete. What Roland doesn’t know is that, while secretly checking out Berlin’s night life, Lars is also experimenting with a deadly poison.

Jo, a sailor with an off-duty liberty pass, walks by a gay population at the seashore. His encounter with Cuir takes him into a dream-like universe, where the faces of the men he saw under a bridge become his deepest fantasies, all in a place of freedom and promiscuity: the RubiX.

The writers Cesare Pavese and Jean-Luc Lagarce had a tragic destiny. The first committed suicide after a sentimental disappointment and the second died of AIDS. Sex holds a central place in their diaries.

Short introduction to the film Knife+Heart (2019).

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

This short film is a sexual fantasy and romantic fiction, where John becomes voyeur of a cruising moment, which grows into a fantasy erotic quintet trip. Like a juicy acid lemon taste that turns their sexual drive on. John is going out from the factory suddenly a strange sensation of unbreathing drive takes him. He arrives in a hidden street where he can watch Cliff cruising here. Attracted by Cliff he starts to observe him behind the wall.

Urinals have always had a bad reputation. Bringing colour and life to these long-gone meeting places in the shadow, that was my challenge. I wanted to restore their disturbing share of sensuality. For generations of men who were looking for adventures with other men, public toilets were privileged places for meeting and recognition.

Longing to escape from the madness of urban life, Gaspar takes the trail for a quick dip in the lake. Heading to the city park, he is just another guy entering the "woody oasis where sex is a matter of nature" – as locals would call it. His search ends when he sees Sebastian emerging from the water. With a vagabond attitude and a provocative Danish accent, he is the one to show Gaspar how a simple thought can grow like a seed and become a desire.

Nicolas Wolf, an Austrian who's just inherited his grandmother's Parisian flat, is shaken with fear as an unexpected nightly visitor refuses to leave. But no-one but Nicolas seems to be able to see the menacing stranger.

In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

An omnibus film comprised of four short films with interconnected themes and overlapping characters. 'Diablo in Madrid' is inspired by the Pasolini short film La Terra vista dalla Luna (1967). 'Uber Menschen' finds a professor visiting Madrid and contemplating killing himself when an Uber driver talks him out of it. 'Purple Army Fiction' is a reworking of certain ideas developed in LaBruce’s feature film The Raspberry Reich (2004). 'Fleapit' is an homage to films that depict people having sex in movie theatres, from Lamberto Bava’s Demons (1985) to Frank Perry’s Last Summer (1969), and beyond.

Javier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories, instinct and denial, and the mourning's harsh feelings will compromise his sense of reality. Surrounded by doubt, and subjected to several addictions, Javier fights to find peace - until his lattermost move take him to a surrealistic emotional purgatory. The absurdity in which Javier finds himself might be a way out of the pain, and his redemption to love and all endings. But first he needs to confront his demons and to take one last chance into the pleasures of the flesh.

About a young man who falls into commanding sadness. One day, at home, he hears unexpected noises: a visit from a curious supernatural presence. He becomes strangely attracted to it, and with nothing to lose, welcomes the ghost into his life. Is there a place for desire in sadness?

On a chilly Sunday morning, a man awakens to the mischievous stare of a unicorn that seems to have come straight out of his dreams. Carried along by an early morning sensuality, his fantasies transform his lonely apartment into a garden of delights, in which this young creature can freely reap the fruits of his desires.

At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.