In a Transylvanian village, a pastor tries to convert a local peasant to his religion, for personal interests.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

A Romanian architect who married abroad reunites with his birthplace, with those he met, with the women he loved, with the echoes of what happened once, with the great transformations that are taking place in the Capitol, on construction sites and in Romanian villages. Condemned by an incurable disease, but also overwhelmed by these realities and by the irrepressible longing for his homeland, the hero decides to return home for good.

In 1462 the Ottoman Turks displeased with Wallachian Prince Vlad the Impaler plot to overthrow and replace him with puppet ruler Prince Radu the Handsome.