It's just days before Christmas in London, but not everyone is full of good cheer - as a maniac with a pathological hatred of Santa Claus stalks the streets, butchering any man that’s unlucky enough to be wandering around dressed as Old Saint Nick.

Documentary/promotional film on the making of the horror film Don't Open Til Christmas.

This seven-hour British-Italian adaptation of Edward Bulwer-Lytton's 1834 epic, set against the eruption of Mount Vesuvius in 79 A.D. and previously filmed in 1935, and in 1960 was a vehicle for muscleman Steve Reeves, was trashed by the critics as the campiest of sword and sandal sagas to emerge in years. This despite its reported $19-million price tag, the nobility of its cast that includes Laurence Olivier, Siobhan McKenna and Anthony Quayle, and its rather unspectacular special effects. The central figures are Nicholas Clay as Glaucus, the noble Athenian; Olivia Hussey as the high-born Ione, his love, who is seduced by the Egyptian, Arbaces (Franco Nero), a religious fanatic; Duncan Regehr as Lydon, the champion gladiator; and Linda Purl as the blind slave Nydia, who is torn between Glaucus and Lydon.

A man goes blind when remembering his lost girlfriend, but the doctors can't find anything wrong with his eyes. They fit him with an experimental device which allows him to see with the aid of a computer interface and brain electrodes. Meanwhile, a taxi driver is taking young women up to their apartments, giving them gas, and performing a little fatal amateur surgery on them. Their paths inevitably converge, and the blind man must try to stop the psychopath.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Violence and Victorian gentility meet in this powerful adaptations of one of Dickens's greatest creations, his most piercing examination of upward mobility.

Amid the poverty, death, and suffering caused by World War II, 18-year-old Yehia retreats into a private world of fantasy and longing. Obsessed with Hollywood, he dreams of studying filmmaking in America but struggles to pursue his dream, given the constraints of his life in the middle class and the horrors of war.

The story of G.I. Gurdjieff an Asian mystic who after a lifetimes study developed a form of meditation incorporating modern dance.

At a famous London disco venue, a competition is announced to select two dancers to star in a new film.

Depicts the birth of an independent TV station.

This film tells the story about a group of girls at an exclusive German girls boarding school. Across the lake is an exclusive boys boarding school...

A gung-ho ex-military man pursues a secret life of crime, culminating in the kidnapping of a teenage heiress.

The crew of Moonbase Alpha must struggle to survive when a massive explosion throws the Moon from orbit into deep space.

Two teenage boys witness the murder of an old man, only for the old man to turn up alive after the boys notify the police.

Hallmark Hall of Fame is an anthology program on American television, sponsored by Hallmark Cards, a Kansas City based greeting card company. The longest-running primetime series in the history of television, it has a historically long run, beginning during 1951 and continuing into 2013. From 1954 onward, all of its productions have been shown in color, although color television video productions were extremely rare in 1954. Many television movies have been shown on the program since its debut, though the program began with live telecasts of dramas and then changed to videotaped productions before finally changing to filmed ones. The series has received eighty Emmy Awards, twenty-four Christopher Awards, eleven Peabody Awards, nine Golden Globes, and four Humanitas Prizes. Once a common practice in American television, it is the last remaining television program such that the title includes the name of the sponsor. Unlike other long-running TV series still on the air, it differs in that it broadcasts only occasionally and not on a weekly broadcast programming schedule.