Due to a violent snowstorm, Agnieszka is cut off from the rest of the world in a charming mountain cottage, and a mysterious and handsome man in a Santa Claus suit appears on her way. Five-year-old Zosia and her mother, despite their poor financial situation, are trying to prepare a traditional family Christmas Eve, and they can be helped by Robert – a lonely policeman on Christmas duty who, out of pure need of his heart, wants to do something good for someone. This magical time is also a chance for a man to spend Christmas again with his old love - provided, of course, the woman in his life finds a moment of peace, taking care of the crazy and unpredictable residents of the "Happy End" nursing home.

1937 Warsaw, Poland. The Jewish mafia rules the city. Head honcho is gangster socialist, Buddy Kaplica. His right-hand man, boxer, Jakub Szapiro who dreams of taking over Buddy's top spot as King of Warsaw.

The first volume in a collection of gay shorts from the four corners of the world that will set your pulse racing. From the intense effects of first love, to a deliciously campy tale of a camping trip gone horribly wrong. This collection includes: The End of My World [Mój koniec świata] (2017), The Surf Report (2016), It Gets Better? (2016), and Killer Friends (2017).

Filip tries to reconcile himself with his new life after his long-term boyfriend broke up with him.

Poland, 1990. The first euphoric year of freedom, but also of uncertainty for the future. Four apparently happy women of different ages decide it's time to change their lives, and fulfill their desires.

Fine-arts student Zosia is a young daredevil mural painter who enlivens Warsaw with lovely graffiti. She lives with her mother Roma and grandmother Romy in a beautiful villa that has come under threat from property developers. Romy has long lost the deeds to the house. Will the women lose their home? And will they want to stay there once Roma finds new love and granny reveals a secret from long ago?

Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.

Giordano, an angel assigned to an orphan in Krakow, is two years into the job when his celestial overseers, citing budget cuts, initiate "Phase Two" without telling him. Some changes are good - they send him a nanny, the enterprising Irena; some are bad - his phone number to Heaven no longer works nor do his special powers; and some dismay him - he grows a penis. His closest friend tells him to get a woman, and Irena advises him on hygiene. He visits a therapist, Roma, and falls in love with her. She tells him its transference. Meanwhile, Giordano's celestial friends conspire to rid Roma of her boyfriend, clearing the way for Giordano to be his naive and engaging self.

3.1415 consists of three chapters: "body in politics," "body in art" and "body at war”. The movie explores different aspects of women's lives, raising questions about stereotypes, discrimination and inequality. This movie is an insightful and important exploration of women's roles in art and other spheres of life. Gender equality is a value of a democratic society. However, women in the world are still constantly subjected to all kinds of discrimination. Equality of rights and opportunities between men and women is enshrined in law in many countries - but stereotypes about the role of women in society are still common and hinder their development and realization.