During the Warlord Era, the mysterious jade beads that people have been trying to track down for generations has appeared in jianghu. According to the legend, sealed within it are clues to a priceless treasure that symbolizes the throne. At this time, revolutionaries and progressive students launch a campaign to protect the national treasures. The central plains unites under the leadership of the "Five Elements Families" to eradicate Zhang Siye and Japan's Black Dragon Association. Through a series of circumstances, Huo Xiaoxie is caught in the fray and eventually integrates the five elements to become a force to be reckoned with in the revolutionary struggle to restore China.

A modern girl named Cheng Su Yue, with a head full of strange business ideas, accidentally enters the mysterious Ye Shiyi’s bar and travels into the SIM game “Mogul of Wild Wolf City”. Cheng Su Yue runs her business brilliantly and meets the doctor Zhu Shi Zhen. The two spark a romantic love and work together to protect the peace of Wild Wolf City.

In Shanghai in 2021, young Li Yangfan and his neighbor Lin Xiaozhe accidentally fell into the Huangpu River in order to find his grandfather Lin Jiang’s belongings when he was young. They woke up and found that they were back in 1938.

A young man goes to Hong Kong to study psychiatry for a pressing reason. His family has a genetic disease that caused his mother and brother to be diagnosed with schizophrenia at age 24 and he is desperate to escape the same fate.

After the September 18th Incident, Dong Bei was occupied by the Japanese enemy. Rong Shi (Jin Dong) knows that Japanese soldiers want kill the whole Xu family when Xu Yihang (Jiang Xin)’s wedding ceremony. He sent a messenger to tell Xu family this thing. But there is traitor in Xu family. So finally Japanese soldier still kill whole family. Three siblings embarked on a road of revenge from here.

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.