The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

Writers: Jaroslav Zrotal

Five crime stories connected by the narration of police superintendent Bartosek.

Czech film tells the story of a border town in World War II. Family members and friends become enemies.

At the end of the First World War, Nikola Shuhai and his friend from the army desert. On the way home, to the village of Kolochava, they both find refuge with baby Jaga. Jaga mixes them a drink to protect them from the deadly bullets. The bachelors must promise to marry her daughters in exchange for a drink, or they will be punished. Nikola finds his home village in poverty. He stands against the powerful and the rich, and they turn the gendarmes against him. Nikola hides from them in the woods, where he will remain even after the end of the war, because nothing has changed for the villagers. Out of poverty and hopelessness, other men join Nikola and together they raid the wealthy. Nikola distributes the obtained booty to the poor and needy, who see him as their protector and hero.

An ambitious and selfish lawyer confesses to the murder of his first wife. Some of the scenes were filmed in the last weeks of the war.

Inspector Cadek from the 13th police station should keep an eye on the released safe-cracker nicknamed The Cat. He rightly suspects that Cat will go and pick up his last loot which the police didn't manage to find and that he will want revenge on Karta who helped get him behind bars. At the hospital, Cat's ex-lover Fróny hopelessly falls for doctor Chrudimský and decides to start a new life. She still refuses to help the inspector in his search for The Cat and Karta.

The bickering of envious mistresses, the criminal intentions of fraudsters and the love of two young people are at the center of events, in the middle of which unfolds the fate of the city executioner Jiří, who longs to break free from his destiny and become a proper burgher. He is not heard, but he manages to expose the iniquities and their culprits, reunites a hard-pressed couple in love and his undeniable merits for the city and eventually bring him luck.

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.

Drama directed by Miroslav Cikán.

Venice Film Festival 1938