It is a story of a unique family in the world; A documentary on how a former political imprisoned revolutionary in a religious closed society like Iran, turned his house in to an open Film School and pave to way for his family to became world class film maker and top International award winners , including Cannes Venice , Berlin, San Sebastian , Locarno and many.

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

Tracing the history and influence of Iranian cinema and its filmmakers.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

The film and camera of Maysam Mkhamlbaf, Samira's brother follows her like an invisible eye. From her first subconscious presence as an actor, when she was one months old and crying in her mothers arms, while acting in a feature movie made by his father up to her first conscious appearance as an 8 year old child actor in the movie Cyclist made by his father in Pakistan. From when Samira made her first movie Apple at 17 or when she goes to visit the two imprisoned girls in the movie "Apple" and when she is occupied with changing the professional actor of the movie "Blackboard" with a non-professional actor (ordinary people) and even when she was attending the Cannes Film Festival in the years 1998 and 2000.

Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae. Stardust Stricken -- Mohsen Makhmalbaf: A Portrait documents the work of this Iranian filmmaker. After spending time in prison for political dissidence, Makhmalbaf discovered the social potential of the cinema. Some of his projects include Marriage of the Blessed and The Actor. While creating around 20 films, the outspoken director established new ideas about the nature of his work. In this release, Makhmalbaf speaks about art, human behavior, and his evolving fundamentalist beliefs.

An Iranian actor named Akbar is trying to become a serious actor instead of the clown everyone considers him to be. However financial problems force him to abandon his dream of being an artistic actor. He also has to deal with his family problems and his wife's inability to become pregnant.

The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?