Yann Beauvais

Yann Beauvais

Born: January 1, 1953
in France
Born in France in 1953. As a teacher in the United States, he became conscious of the need to lead a "cultural battle". Filmmaker and film critic, he organizes experimental cinema events in France and other countries. After his film and philosophy studies, he became very influenced by contemporary art (Russian formalism and minimal structuralism) and learned music, as well as by his friendship with Paul Sharits. He strives to find a balance between formalism and lyricism. He himself explains that the common denominator between all his films is that they are all constructed according to the principle : "fragility" - "disappearance" - "disintegration". In 1982 he co-founds Light Cone with Miles McKane. Among others he has published: Musique film with Deke Dusinberre (1986), "Mots: dites, image" with Miles McKane (1988), Poussières d'images (1998) and finally, "Monter/Sampler" with J.-M. Bouhours (2000).

Movies for Yann Beauvais...

Spin
Title: Spin
Character: Himself
Released: January 1, 2008
Type: Movie
The winter Place Sqaure. Two cameras spinning, at the sound of musicians from an orchestra tuning their instrument.
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New York Long Distance
Title: New York Long Distance
Character: (voice)
Released: January 1, 1994
Type: Movie
A film about my relationship to New York since 1962. It deals with the distance between a memory and the image of this memory, a distance one always tries to abolish. In this personal film we see the images of a city from a close distance, with autobiographic fragments on the soundtrack. The distance of recollection. The trace of this distance shapes the memory as much as the places, haunted by so many stories, so that our marks will blow up in a crash. A crash leading to a collapse in a vortex of affects.
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Portraiture
Title: Portraiture
Released: January 1, 1993
Type: Movie
Initial situation: models were invited to participate in their portrait by the contribution of personal objects and a great freedom of expression before the camera. This initial situation was conceived by Catherine Rebois. Graffon: I propose to film in a fragmented way these sessions of pose. Participants agree to be filmed at the same time they are photographed. Deliberately sharpened shift between an initial situation in its own duration and its filmic recording. The sequence of photographic shooting sessions is shattered.
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Cinématon XXXIII
Title: Cinématon XXXIII
Character: N°322
Released: April 12, 1984
Type: Movie
Reel 33 of Gérard Courant’s on-going Cinematon series.
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Cinématon
Title: Cinématon
Character: N°322
Released: December 20, 1978
Type: Movie
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.