A spoof weekly news and entertainment program. This week's guest is musical group, Sleater-Kinney.

Sleater-Kinney performs live to a completely sold-out house at the Palace Theatre in St. Paul, Minnesota. The band will bring new songs from their 2019 album 'The Center Won't Hold' – as well as tunes from their entire discography – to life on stage in this can't-miss concert.

Making their first-ever ACL performance, Carrie Brownstein, Corin Tucker and Janet Weiss provided a setlist that spanned much of their discography. The group’s 2015 comeback LP No Cities to Love was represented by “Price Tag,” “A New Wave” and “No Cities to Love,” while the setlist also featured “Dig Me Out” and “Words and Guitar” off 1997’s Dig Me Out and The Woods‘ “Entertain” and “Modern Girl.”

Stephen Colbert brings his signature satire and comedy to The Late Show with Stephen Colbert, the #1 show in late night, where he talks with an eclectic mix of guests about what is new and relevant in the worlds of politics, entertainment, business, music, technology, and more. Featuring bandleader Jon Batiste with his band Stay Human, the Emmy Award-nominated show is broadcast from the historic Ed Sullivan Theater. Stephen Colbert, Chris Licht, Tom Purcell, and Jon Stewart are executive producers. Barry Julien and Denise Rehrig serve as co-executive producers.must watch

Live for NPR Music Front Row. 23rd February 2015, on the first night of a two-night gig at the 9:30 Club, Sleater-Kinney went all-in with its set list. Tracks from the band's monster of a new album, No Cities To Love, felt natural alongside songs like "Oh!" and "Words And Guitar," obliterating the band's timeline by demonstrating a catalog that's always present, always on fire

A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.

This is the third in a film series produced by Fugazi's Brendan Canty and directed by filmmaker Christoph Green. It features live performances by The Shins, Sleater-Kinney, The Decemberists, Mirah, The Thermals, Quasi, The Gossip, Wet Confetti, The Planet The, Lifesavas, The Ready, and Tom Heinl. The crew travels from town to town filming bands performing in houses that're about to be demolished or burned to the ground. In one day they document the house, the bands, and the demolition, then put it together in a 50-minute movie and move on to the next town. Extras include an extended slide show of stills of the day's bands as well as stills of the destruction and film production.

One record producer, the creators of "Hedwig and the Angry Inch" and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk School- the first accredited high school in the country for LGBTQ youth. "Follow My Voice: With the Music of Hedwig" weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of "Wig in a Box," the album whose songs poignantly echo these teens' struggles and aspirations. Through a dramatic and vibrant combination of verite documentation, student video diaries and rare in-studio scenes of artists recording tracks, "Follow My Voice" offers a powerful and poignant look at this unlikely intersection of youth, gender and rock. Includes studio sessions from Yoko Ono, Rufus Wainwright, The Bens, The Breeders, Yo La Tengo, John Cameron Mitchell, They Might Be Giants and more.

A documentary film that tells the story of the origins of Riot Grrrl in the American independent music scene of the 1990s, and how this feminist movement evolved into a revolutionary underground network of education and self-awareness through music, writing, activism, and women-friendly community.

Jimmy Kimmel Live! is an American late-night talk show, created and hosted by Jimmy Kimmel and broadcast on ABC.

In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.