Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.

As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.

An architect Joanna tells her friend Halina on the telephone about her love troubles and suddenly hears a nice man's voice: "The best cure for love is another love." Then she becomes a forgers dispatcher mistaken for Honorata by telephone and decides to work out a forgers secret and the secret of her new love Andrzej.

Two travelling actors break from their troupe and with help of friends and family start their own act, experiencing serious success.