Prohibition-era nightclub crooner Joe E. Lewis has his career and nearly his life cut short when his throat is slashed as payback for leaving the employ of Chicago mob boss Georgie Parker. A broken alcoholic, Joe is brought back from the abyss by his faithful piano player, Austin Mack, who helps turn the former singer into a successful stand-up comedian. But Joe's demons plague his romantic life even as he reaches new heights of success.

When the head of a large manufacturing firm dies suddenly from a stroke, his vice-presidents vie to see who will replace him.

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

Stroud, a crime magazine's crusading editor has to post-pone a vacation with his wife, again, when a glamorous blonde is murdered and he is assigned by his publishing boss Janoth to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence (albeit wrong) that he is the killer.

Soon after a veteran's return from war his cheating wife is found dead. He evades police in an attempt to find the real murderer.

Susan is about to be married, but the wedding may get called off after her fiancé summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive country girl who reluctantly becomes an actress, another paints a picture of a gay party girl and and the third describes a serious intellectual.