London, England, April 1980. Six terrorists assault the Embassy of Iran and take hostages. For six days, tense negotiations are held while the authorities decide whether a military squad should intervene.

Two complete strangers, Lola and Chelsea, intervene in a fatal carjacking while waiting at a suburban bus stop, and are subsequently thrust into a chase from authorities across Australia with a vehicle filled with cash. The strangers must rely solely on each other while on the run.

When an attack on a Palmerston North fraud detective made headlines in October 1996, the New Zealand public followed the media reports with fascination. They read like a plot of a Hollywood film or detective novel. Poison pen letters, satanic worship, a police hate crime, and a mysterious and violent pyromaniac. But little did the public know that as the truth emerged, the story was going to get far more bizarre, and the police would turn the focus of their investigation on one of their own.

On the 7th of May 2009, Senior Constables Len Snee, Grant Diver and Bruce Miller arrived at 41 Chaucer Rd in Napier to serve a search warrant on Jan Molenaar for the growing of cannabis. This was just a routine warrant, something they had done countless times. What was meant to be an ordinary procedure turned into three of New Zealand’s darkest days and ended with one police officer dead, two officers critically injured and a member of the public fighting for his life. In some fifty hours Jan Molenaar made a permanent and devastating imprint upon the national psyche of New Zealand as he changed the lives of individuals, families, a police community, and a city. The siege was one of the worst and unexpected cases of violence both Napier and New Zealand had witnessed and it was all the more shocking because of its ordinary suburban backdrop.

GOOD FOR NOTHING is an adventurous romp set in the sweeping Old West from Mike Wallis in his directorial debut. Inspired by the Spaghetti Westerns and celebrating the Western genre with an interesting twist, the film follows an odd romance and the resulting emotional confusion of an outlaw who reluctantly develops strong feelings for a woman he has kidnapped.