40-year-old provincial Natalya Nikitina has been living in St. Petersburg for the seventh year. She works as a nurse for ailing old people and endures their countless quirks and humiliations. Once in her life, a new friend appears - a masseuse named Love, who plunges Natalia into the abyss of bright and risky adventures in search of love and happiness.

Biography of the most famous Russian chansonnier of the twentieth century. The story of the artist who left Russia in 1919 and returned to the USSR in 1943, in the midst of World War II. Vertinsky lived, sang and was popular in Constantinople, Paris, Berlin, New York, Los Angeles, Harbin, Shanghai and Moscow. He was loved by beautiful women, he was applauded by royalty and thieves. He was a bohemian man, light and cheerful. However, this picture is primarily about his kindness. About the ability not to judge, but to regret, to sympathize with anyone. And for this, fate gifted him with great success and late family happiness. This is a story about how a songbird, an artist, a frivolous creature can live a life that causes both envy and respect.

Is secret cooperation with the government a respectable thing?.. This is the question Nikolay should answer for himself.

A comedy about Masha First (the grand-granddaughter of Johnny First) who comes to Russia from USA trying to make her own movie.

Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?