The story of Frieda, a young girl growing up in strife-torn late 1960's Derry, and her attempts to have a normal adolescence despite the violence which surrounds her.

An American insurance executive, who sees his wife and children die when a plane crashes into their vacation cottage on the Irish coast, uncovers a series of suspicious clues indicating that it was no accident after a pretty financial reporter who resembles his dead wife turns up.

Friel contrasts Gar's cloistered emotional life with his gregarious social persona by portraying him as two distinct characters, a public self (Donal McCann) and a private self (Des Cave).

Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling jail, holding up the stagecoach, and robbing the Duke of Argyll, among other feats. Unfortunately, he is handicapped by the fact that his childhood playmate Annie is equally determined to track him down and save his soul...

Saturday night in Dublin, and to hell with Sunday morning. As the young bloods line up on the edge of the dance floor for the pulling ritual, Mick only has eyes for Cecilia

Ireland 1587. Hugh O'Donnell inherits the title of The O'Donnell, the prince of Donegal, and tries to unite Ireland to make war on England. But then Hugh is kidnapped and imprisoned by the Viceroy of Ireland and held ransom for the Clans' good behavior. Hugh must escape prison and the Viceroy's villainous henchman, Captain Leeds, before he can fight.