Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.

When the school year starts at Barra Secondary school, a big artistic contest is launched to find the new talents of tomorrow. All students are excited, but a string of mysterious disappearances preceded by cyberbullying will disturb this cheerful excitement and divide the students. Everyone has something to hide, so everyone could be the next one to disappear...

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

During an eclipse in 1984, an iconic gang of armed robbers is dismantled after robbery of the Banco de Portugal. Part of the group is arrested, the other is murdered. Two members are left together. This event is the result of an anonymous call. Who denounced them? “Racing Horses” tells this gang's story, emphasizing the individual motivations that led each member to choose this way of life. As a backdrop, the bathing area of a Portugal about to enter the European Economic Community.

Pedro is an enigmatic man with only one goal: to get Clara back, his first and only love. However, this meeting is almost impossible. Above all, because she is engaged to his brother Lourenço, the man who Pedro will save. And what will Lourenço do when he realizes that his savior may, after all, steal everything from him?

Series about one of the most iconic Portuguese bands, DOCE. Doce were one of the first "girls band" in Europe, opening the way not only in the musical world, but also breaking barriers and prejudices in traditional Portuguese society. The series is based on real events, following the band's entire journey from its appearance in 1979, until the end of the initial formation. Doce has outlasted all critics and left its mark on a generation and a country.

It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.

It tells the story of four great passions and the crime they unleash between the Macedo family and the Oliveira family.

The story about the romance of Snu Abecassis and the former Portuguese prime minister Sá Carneiro.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Your past already is the projection of your future. However, it was never more than a light in the sky.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Laços de Sangue is a Portuguese telenovela which broadcast on SIC from September 2010 to October 2011. It is a co-production between SIC and Brazilian Rede Globo. The show also broadcast in several Latin American countries, including Uruguay, Brazil, Bolivia, Ecuador, Paraguay, Peru, Dominican Republic, Costa Rica, and Nicaragua. It won the 2011 Emmy for Best Telenovela.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

In each episode, an apparently lost cause goes to court. However, the various stages of the case show us that not everything is as it seems and that no case is solved until the sentence is read.

An artistically shot film that slowly blurs the boundaries between dreams and reality as it builds into an unnerving then touching climax.